Ep. 88: "The Phantom of the Opera" Behind the Scenes at the Alabama Theatre
Gary W. Jones from the Alabama Theatre joins us to preview October events, including the annual "The Phantom of the Opera" showing with live soundtrack! Get tickets: We record these episode LIVE on Sunday nights on our YouTube channel! Please join us...
Gary W. Jones from the Alabama Theatre joins us to preview October events, including the annual "The Phantom of the Opera" showing with live soundtrack!
Get tickets: https://alabamatheatre.com/event/1925-silent-film-classic-the-phantom-of-the-opera-3/
We record these episode LIVE on Sunday nights on our YouTube channel! Please join us in the chat and join our YouTube channel for special perks: https://www.youtube.com/@BamaGeeks/join
Come sit a spell on the Bama Geeks Front Porch: https://www.facebook.com/groups/bamageeksfrontporch
Follow @BamaGeeks on our social media channels!
- Facebook: https://www.facebook.com/bamageeks
- Instagram: https://www.instagram.com/bamageeks/
- Twitter: https://twitter.com/bamageeks
- YouTube: https://www.youtube.com/@BamaGeeks
- TikTok: https://www.tiktok.com/@bamageeks
Kevin's Twitch: https://www.twitch.tv/kegdev
Bo's Twitch: https://www.twitch.tv/mbthegr81
Join our Patreon for full video and bonus audio content for only $5: https://www.patreon.com/bamageeks
00:00:13.102 --> 00:00:13.423
Thank you.
00:00:32.618 --> 00:00:34.820
Hey y'all, it's me Tara Strong,
00:00:35.000 --> 00:00:37.683
aka Miss Minutes for Bama Geeks.
00:00:38.124 --> 00:00:39.125
I hope you're ready to watch,
00:00:39.164 --> 00:00:40.006
and if you don't,
00:00:40.405 --> 00:00:41.686
I will have to prune you.
00:00:42.027 --> 00:00:43.628
Stay on your sacred timeline.
00:00:43.649 --> 00:00:52.737
Hey, hey, hello.
00:00:52.877 --> 00:00:53.478
Hello.
00:00:55.097 --> 00:00:58.005
Good Sunday evening with the Bama Geeks.
00:00:58.165 --> 00:01:00.953
We are thrilled that you are with us.
00:01:01.033 --> 00:01:02.737
We are live on YouTube.
00:01:03.573 --> 00:01:05.734
And I'm sorry I'm looking down.
00:01:05.775 --> 00:01:07.016
I'm already trying.
00:01:07.096 --> 00:01:08.055
And I want to ask,
00:01:08.075 --> 00:01:09.417
do you guys remember who I am?
00:01:10.457 --> 00:01:10.558
Yeah.
00:01:10.578 --> 00:01:11.659
It's been a while, right?
00:01:11.679 --> 00:01:12.478
That's Kevin.
00:01:12.680 --> 00:01:13.680
We got him back.
00:01:15.001 --> 00:01:15.501
I promise, guys.
00:01:16.382 --> 00:01:17.403
I've been on a journey.
00:01:20.564 --> 00:01:21.105
Well, again,
00:01:21.146 --> 00:01:22.546
we thank you so much for joining us.
00:01:23.227 --> 00:01:24.048
I'm Brock Parker.
00:01:24.168 --> 00:01:25.409
Yes, Kevin is back.
00:01:26.108 --> 00:01:27.810
And then Jess is way over there.
00:01:28.271 --> 00:01:29.290
And so is Bo.
00:01:29.450 --> 00:01:30.471
And right in the middle,
00:01:30.492 --> 00:01:32.132
we've got the man of the hour.
00:01:32.192 --> 00:01:32.653
We've got...
00:01:33.341 --> 00:01:35.864
Mr. Gary W. Jones from the
00:01:35.983 --> 00:01:37.144
Alabama Theater.
00:01:37.906 --> 00:01:37.965
Yay!
00:01:37.986 --> 00:01:39.686
Yes.
00:01:40.408 --> 00:01:41.067
I'm going to start
00:01:41.328 --> 00:01:42.670
channeling my inner Paul
00:01:42.730 --> 00:01:43.950
Lind if I'm going to be the
00:01:44.010 --> 00:01:44.411
center square.
00:01:44.471 --> 00:01:45.792
Absolutely.
00:01:45.811 --> 00:01:47.834
We love Paul.
00:01:47.873 --> 00:01:48.134
Yes.
00:01:48.153 --> 00:01:50.335
You would expect nothing less.
00:01:50.376 --> 00:01:51.216
Nothing less.
00:01:51.277 --> 00:01:55.340
And in the chat, Darnay Olson.
00:01:55.359 --> 00:01:56.081
Howdy, howdy, howdy.
00:01:56.141 --> 00:01:56.340
Hello.
00:01:56.381 --> 00:01:57.042
Hey, Darnay.
00:01:58.203 --> 00:01:58.442
Hey.
00:01:58.862 --> 00:02:00.384
Thank you so much for joining us.
00:02:01.043 --> 00:02:01.903
And if you've got any
00:02:01.983 --> 00:02:04.045
questions or any comments
00:02:04.064 --> 00:02:06.445
for Gary as the stream goes along.
00:02:07.146 --> 00:02:11.168
Careful.
00:02:11.328 --> 00:02:12.407
There are certain words that
00:02:12.427 --> 00:02:13.389
we've been cautioned that
00:02:13.408 --> 00:02:15.028
Gary doesn't like.
00:02:15.049 --> 00:02:16.289
We went over it in our
00:02:16.330 --> 00:02:18.711
member exclusive stream.
00:02:19.070 --> 00:02:21.391
I did not say I didn't like those words.
00:02:21.451 --> 00:02:24.312
I just said it's questionable to use them.
00:02:24.453 --> 00:02:26.173
I use them daily.
00:02:26.354 --> 00:02:27.213
I'm sure Bo does too.
00:02:32.699 --> 00:02:35.640
But Gary is with the Alabama
00:02:35.661 --> 00:02:38.463
theater and we love him and
00:02:38.484 --> 00:02:39.764
we're so thrilled to have him back.
00:02:39.805 --> 00:02:40.765
We had him on earlier this
00:02:40.806 --> 00:02:43.048
year and we're going to
00:02:43.068 --> 00:02:44.830
have him on as much as he
00:02:44.870 --> 00:02:45.490
wants to come on.
00:02:45.950 --> 00:02:47.151
All he has to do is ask.
00:02:48.981 --> 00:02:51.544
So when you text, you're like,
00:02:51.704 --> 00:02:53.365
before you got you out, it's like,
00:02:53.384 --> 00:02:53.686
I'm in.
00:02:56.467 --> 00:02:57.808
Whatever it is, let's go.
00:02:58.849 --> 00:03:01.151
Could you hide a body for me?
00:03:03.032 --> 00:03:03.413
He's like,
00:03:03.453 --> 00:03:04.213
we don't necessarily have to
00:03:04.234 --> 00:03:05.033
talk about the theater.
00:03:05.074 --> 00:03:06.034
What else do you want to talk about?
00:03:07.436 --> 00:03:08.456
I know how to hide a body.
00:03:11.931 --> 00:03:13.173
I have grown up in
00:03:13.312 --> 00:03:14.854
unincorporated Jefferson County.
00:03:14.913 --> 00:03:16.455
I have places.
00:03:16.474 --> 00:03:17.496
There are a lot of places.
00:03:17.515 --> 00:03:17.716
All right.
00:03:17.736 --> 00:03:21.560
All the local stores do not
00:03:21.659 --> 00:03:22.920
sell lime to Gary.
00:03:22.941 --> 00:03:23.681
Yes.
00:03:24.782 --> 00:03:25.062
Gary,
00:03:25.082 --> 00:03:26.623
I'm pretty sure you just went on a list.
00:03:29.205 --> 00:03:29.826
Another one.
00:03:30.167 --> 00:03:30.927
Another one.
00:03:31.707 --> 00:03:33.729
Also, if you're using lime,
00:03:33.750 --> 00:03:34.431
you're an amateur.
00:03:34.591 --> 00:03:34.730
Okay.
00:03:38.614 --> 00:03:39.594
Boy, we knew.
00:03:39.615 --> 00:03:39.735
Yikes.
00:03:39.754 --> 00:03:39.996
There we go.
00:03:40.015 --> 00:03:40.156
Well,
00:03:40.175 --> 00:03:50.625
talk about how to get flagged by YouTube.
00:03:50.645 --> 00:03:50.724
Yeah.
00:03:50.745 --> 00:03:52.387
The only bad press is no press, right?
00:03:52.727 --> 00:03:52.826
Well,
00:03:52.866 --> 00:03:54.549
if their AI is smart enough to figure
00:03:54.568 --> 00:03:56.730
that out, then we're all screwed anyway.
00:03:57.792 --> 00:03:59.573
I was speaking YouTube of
00:03:59.633 --> 00:04:00.713
this kind of thing.
00:04:00.854 --> 00:04:01.235
Yes, the lime.
00:04:01.634 --> 00:04:03.276
You put the lime in the coconut.
00:04:03.296 --> 00:04:03.377
Yeah.
00:04:04.276 --> 00:04:05.237
Or the gin and tonic.
00:04:05.258 --> 00:04:08.218
He knows how to make a mean Cuba Libre,
00:04:08.239 --> 00:04:08.538
you know.
00:04:08.618 --> 00:04:15.562
Oh, my.
00:04:15.622 --> 00:04:15.882
Well,
00:04:16.521 --> 00:04:18.403
we got a lot of fun stuff coming up
00:04:18.463 --> 00:04:20.144
in October at the Alabama Theater,
00:04:20.163 --> 00:04:22.084
and that's what Gary is here for.
00:04:22.964 --> 00:04:25.185
And I cannot wait to hear.
00:04:25.346 --> 00:04:28.107
I know of one thing coming to the Alabama.
00:04:28.166 --> 00:04:30.127
I don't know the whole thing,
00:04:30.148 --> 00:04:30.827
so I want to hear
00:04:30.887 --> 00:04:32.228
everything that you want to talk about.
00:04:33.565 --> 00:04:39.451
Well, just briefly, the October is full.
00:04:39.512 --> 00:04:41.033
So there's all kinds of
00:04:41.192 --> 00:04:44.456
different shows focusing on Halloween.
00:04:45.850 --> 00:04:47.552
On the twenty fifth of October,
00:04:47.593 --> 00:04:49.754
we have Hocus Pocus and
00:04:49.935 --> 00:04:51.437
that's a one showing only.
00:04:51.456 --> 00:04:53.017
So that'll be a lot of fun.
00:04:53.858 --> 00:04:54.899
That's going to sell out.
00:04:55.100 --> 00:04:56.502
No, no.
00:04:56.562 --> 00:04:57.963
We have a costume contest this year.
00:04:57.983 --> 00:04:58.884
We've never done that.
00:04:58.944 --> 00:05:00.805
Oh, my gosh.
00:05:00.846 --> 00:05:02.187
Special specialty cocktails
00:05:02.208 --> 00:05:03.288
with eyeballs in them.
00:05:03.309 --> 00:05:04.610
So that would be fun.
00:05:06.011 --> 00:05:06.632
They're gummies.
00:05:06.692 --> 00:05:07.271
They're gummies.
00:05:07.552 --> 00:05:09.915
They literally were the
00:05:09.954 --> 00:05:11.495
conversation we were just at.
00:05:11.555 --> 00:05:11.937
I didn't know.
00:05:12.016 --> 00:05:12.437
I know.
00:05:16.360 --> 00:05:18.723
The second word we're going
00:05:18.742 --> 00:05:19.963
to use is clarity.
00:05:20.043 --> 00:05:21.004
Clarification.
00:05:21.064 --> 00:05:21.766
Clarification.
00:05:25.925 --> 00:05:26.665
And then, of course,
00:05:26.944 --> 00:05:28.946
our annual production of
00:05:29.026 --> 00:05:30.286
the nineteen twenty five
00:05:30.507 --> 00:05:32.208
Lon Chaney silent classic
00:05:32.627 --> 00:05:34.428
Phantom of the Opera will be Sunday,
00:05:34.488 --> 00:05:36.129
October twenty seventh at two o'clock.
00:05:36.168 --> 00:05:39.670
And that that that is we
00:05:39.730 --> 00:05:41.230
always talk about the
00:05:41.350 --> 00:05:43.031
American Theatre Organ Society,
00:05:43.091 --> 00:05:44.172
the Alabama chapter of the
00:05:44.213 --> 00:05:45.173
American Theatre Organ
00:05:45.213 --> 00:05:48.553
Society and the parallel
00:05:48.673 --> 00:05:50.134
universe that we run in
00:05:50.254 --> 00:05:52.716
geekdom nerding with the Bama Geeks.
00:05:53.562 --> 00:05:56.483
But this for us, for the organ nerds,
00:05:56.524 --> 00:05:57.464
this is like prom.
00:05:58.004 --> 00:06:00.505
So biggest day of the year.
00:06:00.545 --> 00:06:02.788
It's a great event.
00:06:02.908 --> 00:06:05.569
I can never oversell it,
00:06:06.089 --> 00:06:07.730
no matter how enthused I
00:06:07.771 --> 00:06:09.071
seem about it or how great
00:06:09.112 --> 00:06:09.791
I tell you it is.
00:06:10.192 --> 00:06:12.132
Once you come and experience that show,
00:06:12.694 --> 00:06:14.394
you will leave a changed person.
00:06:14.415 --> 00:06:16.055
I'm not saying hopefully,
00:06:16.495 --> 00:06:17.776
you will leave changed.
00:06:18.877 --> 00:06:22.119
It's a wonderful presentation with a very,
00:06:22.158 --> 00:06:23.060
very talented
00:06:24.269 --> 00:06:27.011
incredible organist, Tom Helms, who comes.
00:06:27.050 --> 00:06:28.531
This will be his forty fifth
00:06:28.572 --> 00:06:30.812
year in a row to do this.
00:06:30.833 --> 00:06:31.494
He started doing it.
00:06:31.514 --> 00:06:32.533
I'm kidding.
00:06:32.593 --> 00:06:32.954
I'm kidding.
00:06:33.014 --> 00:06:38.718
No, no.
00:06:39.418 --> 00:06:41.100
He's been doing this since
00:06:41.139 --> 00:06:42.201
nineteen seventy nine.
00:06:42.620 --> 00:06:44.081
And we do it every year.
00:06:44.122 --> 00:06:45.862
We did it even during covid.
00:06:45.882 --> 00:06:48.264
We were we managed to make
00:06:48.305 --> 00:06:49.745
it work and we made it work
00:06:49.786 --> 00:06:50.206
and we did it.
00:06:51.113 --> 00:06:51.975
It's a terrific show.
00:06:52.055 --> 00:06:53.735
We'll talk about the show in
00:06:53.776 --> 00:06:55.697
and of itself and the movie specifically.
00:06:57.017 --> 00:06:58.759
If you'd like... Yes.
00:07:00.581 --> 00:07:01.480
It was only the thumbnail
00:07:01.500 --> 00:07:02.242
for the live stream.
00:07:02.262 --> 00:07:03.622
That's right.
00:07:05.184 --> 00:07:06.343
That's why you're here.
00:07:12.007 --> 00:07:12.949
There are so many things I
00:07:12.968 --> 00:07:15.951
can say about Phantom of the Opera.
00:07:15.971 --> 00:07:16.331
Let me
00:07:21.990 --> 00:07:24.913
the movie itself is, is it's,
00:07:25.033 --> 00:07:26.394
it's not a horror movie and
00:07:26.434 --> 00:07:27.154
everybody thinks, Oh,
00:07:27.194 --> 00:07:27.935
it's a horror movie.
00:07:28.295 --> 00:07:30.497
It is not, it is not, it is,
00:07:30.677 --> 00:07:34.982
it is a story of love and betrayal.
00:07:36.382 --> 00:07:36.824
And that is,
00:07:36.903 --> 00:07:40.887
that is the basic premise of the story.
00:07:41.668 --> 00:07:44.411
And what you have are, uh,
00:07:46.124 --> 00:07:48.365
people who I very much can
00:07:48.425 --> 00:07:51.165
relate to today trying to
00:07:51.206 --> 00:07:52.666
further their career and
00:07:52.887 --> 00:07:54.067
maybe going down a path
00:07:54.086 --> 00:07:55.088
that they really shouldn't
00:07:56.088 --> 00:07:58.869
in order to achieve that career result.
00:07:59.069 --> 00:08:01.230
And that is the premise of the film.
00:08:01.269 --> 00:08:03.130
Now, this is nineteen twenty five.
00:08:03.151 --> 00:08:04.172
It's a silent film.
00:08:05.151 --> 00:08:06.872
So we're lucky that we have Big Bertha,
00:08:06.932 --> 00:08:07.733
the mighty Wurlitzer
00:08:07.752 --> 00:08:09.874
Theater pipe organ doing
00:08:10.509 --> 00:08:11.411
exactly,
00:08:11.572 --> 00:08:14.235
precisely what she was built to do.
00:08:14.274 --> 00:08:15.838
And that is accompany this film.
00:08:16.778 --> 00:08:17.319
And of course,
00:08:17.399 --> 00:08:19.221
when you have a maestro such
00:08:19.242 --> 00:08:20.865
as Mr. Helms at the console,
00:08:21.766 --> 00:08:24.329
he has created this original score
00:08:25.879 --> 00:08:28.360
I we've shown it forty five times.
00:08:28.540 --> 00:08:31.480
I think I've only missed one
00:08:31.600 --> 00:08:32.782
of those performances.
00:08:32.961 --> 00:08:37.403
And in each year, it's a little fresher.
00:08:37.903 --> 00:08:39.724
He's refreshed it and and
00:08:40.504 --> 00:08:41.345
made a couple of changes
00:08:41.404 --> 00:08:42.304
here and there just to keep
00:08:42.365 --> 00:08:43.725
it different and lively.
00:08:44.706 --> 00:08:45.866
But what I always tell people,
00:08:45.907 --> 00:08:47.947
if you've never seen a silent film before,
00:08:48.106 --> 00:08:49.107
is it's come.
00:08:50.230 --> 00:08:51.631
not expecting anything or, you know,
00:08:51.652 --> 00:08:52.972
expecting whatever you want.
00:08:53.313 --> 00:08:54.374
But what you're going to get
00:08:54.413 --> 00:08:55.335
out of it is going to be
00:08:55.475 --> 00:08:56.395
all of a sudden very,
00:08:56.596 --> 00:08:58.216
very different than the
00:08:58.258 --> 00:09:00.058
realization that you're
00:09:00.099 --> 00:09:01.299
thinking this is a silent
00:09:01.320 --> 00:09:05.243
film about three to five
00:09:05.283 --> 00:09:06.923
minutes in the most
00:09:08.326 --> 00:09:10.168
significant repeated comment
00:09:10.187 --> 00:09:11.229
that I get from patrons
00:09:11.269 --> 00:09:12.549
about three to five,
00:09:12.710 --> 00:09:14.312
maybe seven minutes in is it's like,
00:09:14.913 --> 00:09:16.234
I forgot it was a silent film.
00:09:16.995 --> 00:09:18.395
I forgot there was an organ.
00:09:18.436 --> 00:09:19.397
I forgot there was a man
00:09:19.417 --> 00:09:20.619
down there playing for
00:09:20.698 --> 00:09:22.259
ninety six minutes nonstop.
00:09:23.201 --> 00:09:25.241
And it's because his
00:09:25.623 --> 00:09:28.063
masterful score weaves the
00:09:28.104 --> 00:09:29.465
story in and out.
00:09:29.884 --> 00:09:32.846
Each character has a musical theme.
00:09:34.327 --> 00:09:35.248
And he takes each
00:09:35.288 --> 00:09:36.568
character's musical theme
00:09:36.629 --> 00:09:37.889
and he will take them and,
00:09:38.649 --> 00:09:39.831
if I can do this on screen,
00:09:39.870 --> 00:09:40.811
twist them around and
00:09:40.890 --> 00:09:42.812
invert them and flip them over.
00:09:42.893 --> 00:09:44.232
And all of a sudden you're like,
00:09:44.874 --> 00:09:45.573
wait a minute,
00:09:45.913 --> 00:09:47.615
that's her theme coming
00:09:47.995 --> 00:09:51.577
from this juxtaposition in the film.
00:09:51.618 --> 00:09:51.697
And
00:09:53.639 --> 00:09:56.000
And if you're a geeky musician like me,
00:09:56.041 --> 00:10:00.302
I'm just like, clever, clever, clever.
00:10:00.702 --> 00:10:02.264
It's just amazing.
00:10:02.303 --> 00:10:02.703
And of course,
00:10:03.703 --> 00:10:06.086
the organ lends itself to
00:10:06.125 --> 00:10:07.745
all the sound effects that
00:10:07.765 --> 00:10:08.787
are needed and all the...
00:10:10.311 --> 00:10:11.431
the classical music that's
00:10:11.471 --> 00:10:13.011
part of the score,
00:10:13.211 --> 00:10:14.412
all of the theatrical music
00:10:14.451 --> 00:10:15.272
that's part of the score.
00:10:15.591 --> 00:10:15.991
And of course,
00:10:16.773 --> 00:10:18.893
I'll go into a little bit more detail.
00:10:19.773 --> 00:10:22.234
This story centers around a
00:10:22.533 --> 00:10:25.815
young aspiring opera star,
00:10:26.075 --> 00:10:28.715
and the setting is Paris Opera House.
00:10:30.196 --> 00:10:32.436
She is there, she's on the rise,
00:10:32.495 --> 00:10:35.297
she's an understudy, she is
00:10:37.289 --> 00:10:39.171
trying to make her mark and
00:10:39.230 --> 00:10:41.172
she is not making any
00:10:41.232 --> 00:10:42.933
headway there is the the
00:10:43.193 --> 00:10:45.575
prima donna uh ahead of her
00:10:45.875 --> 00:10:48.797
and she's one of those uh
00:10:48.856 --> 00:10:51.678
stage hogs with a stage
00:10:51.979 --> 00:10:54.400
mother and so they're
00:10:54.500 --> 00:10:55.620
they're trying all sorts of
00:10:55.721 --> 00:10:56.942
ways and I'm not really
00:10:57.042 --> 00:10:57.842
going to give away a whole
00:10:57.883 --> 00:11:01.144
lot of the film but that basically um
00:11:02.421 --> 00:11:04.543
There is a character that is
00:11:04.883 --> 00:11:07.605
living in the bowels of the
00:11:07.725 --> 00:11:08.586
Paris Opera House.
00:11:08.605 --> 00:11:10.846
He had been in prison there
00:11:10.888 --> 00:11:12.568
during the revolution and
00:11:12.908 --> 00:11:15.390
escaped and is living there.
00:11:15.630 --> 00:11:16.131
And of course,
00:11:16.211 --> 00:11:20.075
he is he's a genius as far
00:11:20.195 --> 00:11:22.897
as being able to invent
00:11:22.917 --> 00:11:24.057
things and do things.
00:11:24.618 --> 00:11:27.740
And then he does delve into the dark arts,
00:11:27.799 --> 00:11:28.441
black magic.
00:11:29.600 --> 00:11:30.880
And so the basic premise of
00:11:30.921 --> 00:11:33.964
the film is he enters into
00:11:34.004 --> 00:11:35.565
an agreement with our main
00:11:35.605 --> 00:11:38.748
character to promote her career.
00:11:39.889 --> 00:11:42.871
And she is like, yes, I'll do it.
00:11:42.932 --> 00:11:43.552
I'm all for it.
00:11:43.673 --> 00:11:46.335
But there's always a but.
00:11:46.375 --> 00:11:48.155
She does not realize what
00:11:48.197 --> 00:11:49.957
he's asking for in exchange.
00:11:50.759 --> 00:11:53.100
And so throughout the film,
00:11:54.081 --> 00:11:55.383
what we find is
00:11:57.653 --> 00:11:59.658
she is really,
00:12:00.854 --> 00:12:02.854
manipulating everyone around her.
00:12:03.595 --> 00:12:09.375
And, uh, I, I feel very, uh, not sorry.
00:12:09.395 --> 00:12:10.495
What's the word I'm looking for?
00:12:10.596 --> 00:12:13.716
Uh, for, for the Phantom himself, Eric, uh,
00:12:14.677 --> 00:12:16.336
because he's, he's,
00:12:16.437 --> 00:12:19.217
he's presented her with options.
00:12:19.298 --> 00:12:20.778
She's chosen the options and
00:12:20.798 --> 00:12:22.678
then she betrays those options.
00:12:23.078 --> 00:12:23.678
Right.
00:12:23.839 --> 00:12:26.019
So the whole tale revolves
00:12:26.058 --> 00:12:26.918
around this and the other
00:12:26.958 --> 00:12:28.820
characters in the film.
00:12:28.899 --> 00:12:29.419
And, uh,
00:12:30.457 --> 00:12:32.078
This movie in nineteen
00:12:32.100 --> 00:12:34.081
twenty five was an almost
00:12:34.221 --> 00:12:35.182
instant triumph.
00:12:35.201 --> 00:12:35.702
And of course,
00:12:37.443 --> 00:12:38.225
you've got a cast of
00:12:38.245 --> 00:12:39.927
characters that at the time
00:12:41.768 --> 00:12:44.049
were known names.
00:12:44.070 --> 00:12:45.051
You had Lon Chaney,
00:12:45.071 --> 00:12:46.032
who was certainly known
00:12:46.251 --> 00:12:47.854
just coming off of
00:12:48.153 --> 00:12:51.017
Hunchback to do this film.
00:12:51.297 --> 00:12:51.976
And of course,
00:12:52.817 --> 00:12:54.219
the makeup and prosthetics
00:12:54.259 --> 00:12:55.520
and all of that, he did himself.
00:12:57.278 --> 00:12:58.698
Those things in and of
00:12:58.719 --> 00:13:01.679
itself are worth watching the film alone.
00:13:02.779 --> 00:13:04.299
And then you have Mary
00:13:04.340 --> 00:13:06.181
Philbin who plays the lead,
00:13:06.201 --> 00:13:06.961
Christine Day.
00:13:07.620 --> 00:13:09.381
And she's hot now.
00:13:09.501 --> 00:13:09.841
And I mean,
00:13:09.922 --> 00:13:12.442
not hot like I'm talking like
00:13:12.682 --> 00:13:13.663
hot ticket items.
00:13:13.682 --> 00:13:15.102
She's, I've got a list of,
00:13:15.322 --> 00:13:17.823
she's just come off of Temple of Venus in,
00:13:17.903 --> 00:13:24.866
and the Gaiety Girl in .
00:13:21.304 --> 00:13:24.605
And here now she, Chaney wanted her.
00:13:25.125 --> 00:13:26.706
for this particular role.
00:13:27.207 --> 00:13:29.629
And then you've got Norman Carey,
00:13:29.669 --> 00:13:32.913
who was very, very handsome heartthrob.
00:13:33.832 --> 00:13:35.774
And he was also in Hunchback.
00:13:35.815 --> 00:13:38.317
So Chaney knew of him and
00:13:38.356 --> 00:13:40.438
wanted him involved with this.
00:13:41.659 --> 00:13:44.782
And then we have Mary Fabian.
00:13:45.623 --> 00:13:48.926
And Mary Fabian, believe it or not,
00:13:50.743 --> 00:13:52.144
from birmingham alabama oh
00:13:52.163 --> 00:13:56.086
wow yeah and she she plays
00:13:56.426 --> 00:13:59.327
uh carlotta who is the the
00:13:59.408 --> 00:14:02.028
main character the lead uh
00:14:02.109 --> 00:14:03.610
in the paris early on in
00:14:03.649 --> 00:14:05.630
the film who gets displaced
00:14:05.650 --> 00:14:08.273
um she was born in in
00:14:08.592 --> 00:14:10.313
birmingham and had a
00:14:10.374 --> 00:14:11.695
professional operatic
00:14:12.054 --> 00:14:13.155
background in training she
00:14:13.196 --> 00:14:14.716
performed uh
00:14:14.736 --> 00:14:18.678
internationally as a soprano she did
00:14:19.499 --> 00:14:22.779
So much and founded the, let's see,
00:14:22.801 --> 00:14:24.020
I've got to get this correct.
00:14:24.041 --> 00:14:25.260
She founded the American
00:14:25.341 --> 00:14:26.841
Civic Production Company
00:14:27.522 --> 00:14:28.822
and founded the Civic Opera
00:14:28.842 --> 00:14:30.464
Association in Birmingham,
00:14:30.504 --> 00:14:32.063
which later paved the way
00:14:32.083 --> 00:14:33.264
for opera in Birmingham.
00:14:33.945 --> 00:14:36.145
She sang Madame Butterfly
00:14:36.346 --> 00:14:38.427
over a hundred performances in Italy.
00:14:39.287 --> 00:14:40.727
And she,
00:14:40.908 --> 00:14:43.129
she was just highly sought after
00:14:43.188 --> 00:14:43.948
because she,
00:14:45.967 --> 00:14:48.188
She could act primarily.
00:14:48.989 --> 00:14:52.390
Her goal and focus in life was opera.
00:14:52.772 --> 00:14:54.913
So putting her as the lead
00:14:54.952 --> 00:14:57.033
character sort of in an
00:14:57.094 --> 00:15:00.836
operatic situation was just
00:15:00.876 --> 00:15:01.697
a natural fit.
00:15:02.076 --> 00:15:04.538
Now, she, I'm sorry,
00:15:04.558 --> 00:15:05.599
I don't mean to interrupt, Jess,
00:15:05.619 --> 00:15:07.320
but this picture here shows her.
00:15:07.880 --> 00:15:09.000
She's getting sworn in.
00:15:09.020 --> 00:15:10.902
This is in WWII.
00:15:10.922 --> 00:15:11.863
She's in World War II.
00:15:11.883 --> 00:15:13.104
She was sworn in as a WAC.
00:15:14.107 --> 00:15:16.890
And went overseas and
00:15:17.030 --> 00:15:19.673
entertained audiences and
00:15:19.773 --> 00:15:21.134
entertained soldiers.
00:15:21.695 --> 00:15:23.956
And so she served in the Army Corps from,
00:15:24.057 --> 00:15:24.376
I believe,
00:15:24.417 --> 00:15:26.619
forty three to forty seven and
00:15:27.379 --> 00:15:28.400
then came back to Birmingham.
00:15:28.561 --> 00:15:30.543
So a great tie.
00:15:31.331 --> 00:15:34.394
in the film from our native city.
00:15:34.414 --> 00:15:35.135
I had no idea.
00:15:35.155 --> 00:15:35.975
I didn't even know that.
00:15:36.317 --> 00:15:37.037
No, I know.
00:15:37.197 --> 00:15:38.499
I know.
00:15:38.519 --> 00:15:39.178
Thanks for that.
00:15:39.198 --> 00:15:40.740
You're welcome.
00:15:40.760 --> 00:15:42.361
You're welcome.
00:15:42.381 --> 00:15:46.865
But I always imagine that, you know,
00:15:46.926 --> 00:15:47.186
here's this...
00:15:48.725 --> 00:15:49.787
She's not a little girl.
00:15:50.006 --> 00:15:51.847
Here's this little girl from
00:15:51.908 --> 00:15:54.149
Birmingham winding up in
00:15:54.188 --> 00:15:55.289
all these different places
00:15:55.389 --> 00:15:57.230
at such important times in
00:15:57.250 --> 00:15:59.552
the history of the world, in our country,
00:15:59.572 --> 00:16:00.032
in the world.
00:16:00.052 --> 00:16:02.614
So it's always good.
00:16:02.634 --> 00:16:05.174
But the film runs about
00:16:05.235 --> 00:16:06.235
ninety six minutes.
00:16:08.197 --> 00:16:11.899
We do a little entry with the.
00:16:13.389 --> 00:16:15.770
coffin casket there's
00:16:15.910 --> 00:16:16.691
there's a difference I
00:16:16.730 --> 00:16:17.672
can't I can't remember
00:16:17.731 --> 00:16:20.013
which uh it's I believe
00:16:20.033 --> 00:16:23.394
it's the shape of of the of
00:16:23.433 --> 00:16:26.015
the box and then the the
00:16:26.056 --> 00:16:28.856
phantom comes and does uh
00:16:28.876 --> 00:16:31.477
his thing out of out of there it's just
00:16:32.557 --> 00:16:33.839
incredible in the production.
00:16:34.259 --> 00:16:35.740
And then to sit there and
00:16:35.759 --> 00:16:37.480
play that organ for ninety six minutes,
00:16:37.500 --> 00:16:42.542
I just it's you know,
00:16:42.702 --> 00:16:43.442
I'm good to get through a
00:16:43.482 --> 00:16:46.124
thirteen minute show and it's fine.
00:16:47.024 --> 00:16:47.445
But anyway,
00:16:47.504 --> 00:16:48.945
that's that's the basic premise.
00:16:50.885 --> 00:16:54.748
The show itself is the biggest fundraiser
00:16:55.618 --> 00:16:56.759
for Big Bertha.
00:16:56.899 --> 00:16:58.600
It is our annual fundraiser.
00:16:58.659 --> 00:17:01.780
So all of the net profit
00:17:01.821 --> 00:17:03.782
goes to the regular ongoing
00:17:03.841 --> 00:17:05.702
maintenance that we do on the organ.
00:17:06.923 --> 00:17:08.184
And it funds all the other
00:17:08.224 --> 00:17:08.825
things that we do
00:17:09.404 --> 00:17:10.486
throughout the rest of the year.
00:17:11.727 --> 00:17:14.268
I really can't encourage you
00:17:14.307 --> 00:17:16.288
enough and oversell it enough.
00:17:16.328 --> 00:17:17.109
I think everyone would
00:17:17.130 --> 00:17:17.789
thoroughly enjoy it.
00:17:19.537 --> 00:17:20.337
That's awesome, man.
00:17:20.518 --> 00:17:20.978
I'm sorry.
00:17:21.137 --> 00:17:22.278
I was not on the mute button
00:17:22.318 --> 00:17:23.099
quick enough for Jess.
00:17:23.619 --> 00:17:24.820
She's got a cough going on.
00:17:24.840 --> 00:17:27.722
She's enjoying the season
00:17:27.742 --> 00:17:28.523
like we all have.
00:17:28.983 --> 00:17:29.523
Yeah.
00:17:29.544 --> 00:17:29.663
Bo,
00:17:29.684 --> 00:17:30.825
you should get her to come cut your
00:17:30.865 --> 00:17:31.266
grass.
00:17:31.286 --> 00:17:32.346
I mean, it won't matter to her.
00:17:32.446 --> 00:17:32.906
Yeah, there you go.
00:17:32.926 --> 00:17:33.567
Hey, yeah, hey.
00:17:34.989 --> 00:17:35.890
She has a hard time seeing
00:17:35.930 --> 00:17:36.930
over the handlebars of the lawnmower.
00:17:36.950 --> 00:17:41.093
Yeah.
00:17:41.973 --> 00:17:44.155
I will say I'm intimately
00:17:44.215 --> 00:17:45.936
interested in going and seeing this.
00:17:45.977 --> 00:17:46.718
I'm definitely going to be
00:17:46.738 --> 00:17:48.719
getting tickets myself as well to go.
00:17:49.500 --> 00:17:52.402
I'm working on my second right now to go,
00:17:52.642 --> 00:17:53.281
my buddy.
00:17:53.942 --> 00:17:55.723
But I've only ever seen the
00:17:55.763 --> 00:17:58.405
Andrew Wood Weber versions of it.
00:17:58.605 --> 00:18:00.007
And I really want to see
00:18:00.047 --> 00:18:00.928
this older version.
00:18:01.698 --> 00:18:03.700
So there are half a dozen
00:18:03.740 --> 00:18:04.599
different versions.
00:18:04.619 --> 00:18:05.320
There was the nineteen
00:18:05.340 --> 00:18:07.363
twenty nine redub remake.
00:18:07.403 --> 00:18:08.503
They cut some scenes and
00:18:08.584 --> 00:18:10.365
added some scenes in nineteen.
00:18:11.286 --> 00:18:12.086
I think four.
00:18:12.105 --> 00:18:13.007
Don't quote me here.
00:18:13.426 --> 00:18:14.468
Forty five mid forties.
00:18:14.508 --> 00:18:15.909
Let's just say that's all be safe.
00:18:16.910 --> 00:18:17.590
Redo.
00:18:17.830 --> 00:18:20.553
And then there was one later on than that.
00:18:20.593 --> 00:18:21.534
And then, of course, you know.
00:18:23.711 --> 00:18:25.492
Ruining Phantom, as he did Cats,
00:18:25.573 --> 00:18:26.692
Andrew Lloyd Webber comes
00:18:26.792 --> 00:18:31.355
in and creates this astounding,
00:18:32.316 --> 00:18:33.935
gorgeous musical.
00:18:33.976 --> 00:18:34.477
And of course,
00:18:35.717 --> 00:18:40.019
the first year after Andrew
00:18:40.038 --> 00:18:41.098
Lloyd Webber's Phantom of
00:18:41.118 --> 00:18:43.160
the Opera hits and we're
00:18:43.180 --> 00:18:45.060
doing our annual showing,
00:18:45.121 --> 00:18:45.961
which we don't even think
00:18:46.001 --> 00:18:46.821
anything about it,
00:18:49.342 --> 00:18:50.541
And we had this one lady who
00:18:50.582 --> 00:18:52.903
came and she was just
00:18:53.804 --> 00:18:55.765
furious that this was not
00:18:55.805 --> 00:19:01.669
the Andrew Lloyd Webber musical.
00:19:02.028 --> 00:19:03.710
And in true Gary form,
00:19:03.730 --> 00:19:04.930
I just put one hand on one
00:19:04.970 --> 00:19:06.010
hip and I was like, lady,
00:19:07.317 --> 00:19:08.699
your ticket was five bucks.
00:19:08.878 --> 00:19:13.603
What did you expect?
00:19:13.702 --> 00:19:14.763
Even in Birmingham,
00:19:15.285 --> 00:19:16.465
you're not going to get
00:19:16.506 --> 00:19:17.626
Broadway musicals.
00:19:17.646 --> 00:19:19.647
Now we make sure that
00:19:19.848 --> 00:19:22.029
everything that we say and
00:19:22.191 --> 00:19:23.852
everything that we do and
00:19:23.912 --> 00:19:25.113
every ticket and every
00:19:25.173 --> 00:19:26.934
promo and every social media thing says,
00:19:32.599 --> 00:19:34.461
And I always go out right
00:19:34.501 --> 00:19:36.124
before everything starts to
00:19:36.144 --> 00:19:37.305
get everybody into their seats.
00:19:37.345 --> 00:19:38.846
Because once we start the show,
00:19:38.866 --> 00:19:39.768
they've got to stay seated
00:19:39.788 --> 00:19:41.190
for the first couple of minutes.
00:19:41.871 --> 00:19:43.231
And I always remind everyone
00:19:43.271 --> 00:19:44.513
that this is not the Andrew
00:19:44.534 --> 00:19:45.515
Lloyd Webber production.
00:19:45.555 --> 00:19:47.617
And if you think it is, please see me.
00:19:49.519 --> 00:19:50.941
And I will not give your money back.
00:19:51.740 --> 00:19:53.863
I'll smack you about the
00:19:53.883 --> 00:19:56.784
lobby and we'll go on.
00:19:56.864 --> 00:19:57.865
And the funny thing is,
00:19:58.184 --> 00:19:59.085
as we're talking here,
00:19:59.125 --> 00:20:00.226
I'm chatting with someone
00:20:00.946 --> 00:20:02.326
via text about the
00:20:02.346 --> 00:20:04.469
potential of going and seeing this.
00:20:04.489 --> 00:20:07.650
And they're looking at this
00:20:07.809 --> 00:20:08.770
and they saw somewhere on
00:20:08.790 --> 00:20:09.832
the page where it says it's
00:20:09.852 --> 00:20:10.412
a horror movie.
00:20:11.519 --> 00:20:13.419
somewhere on the actual page
00:20:13.479 --> 00:20:14.680
for this says it's a horror movie.
00:20:14.700 --> 00:20:15.819
They're like, is it a horror movie?
00:20:16.359 --> 00:20:17.440
And I'm like, no,
00:20:18.380 --> 00:20:19.859
I'm literally talking to
00:20:19.880 --> 00:20:22.221
the guy right now that puts it on.
00:20:22.701 --> 00:20:23.721
It's not a horror movie.
00:20:23.740 --> 00:20:23.780
No,
00:20:26.061 --> 00:20:29.922
but I know it gets categorized as a
00:20:30.001 --> 00:20:35.923
horror movie because the Phantom's figure,
00:20:36.103 --> 00:20:37.064
his prosthetic,
00:20:37.084 --> 00:20:39.564
his makeup is very disturbing.
00:20:40.623 --> 00:20:41.644
Even even today.
00:20:41.663 --> 00:20:41.743
Yeah,
00:20:42.864 --> 00:20:46.164
it was horrifying in nineteen twenty
00:20:46.184 --> 00:20:46.585
five.
00:20:47.945 --> 00:20:50.826
But I, I repeat myself.
00:20:51.527 --> 00:20:53.367
This is a story of love and betrayal,
00:20:53.448 --> 00:20:58.130
not a gory horror film.
00:20:58.549 --> 00:20:59.769
Right.
00:20:59.829 --> 00:21:01.050
You might need to check your Web site,
00:21:01.090 --> 00:21:01.270
Gary.
00:21:05.501 --> 00:21:06.442
I'm not in control of that.
00:21:06.461 --> 00:21:07.303
You need to talk to the web
00:21:07.343 --> 00:21:09.323
team because it says film synopsis,
00:21:09.343 --> 00:21:10.183
the Phantom of the Opera,
00:21:10.223 --> 00:21:11.544
nineteen twenty five, unrated,
00:21:11.624 --> 00:21:17.586
ninety three minutes horror.
00:21:17.645 --> 00:21:19.027
He's like, I got to make a phone call,
00:21:19.067 --> 00:21:25.528
hang on.
00:21:25.548 --> 00:21:26.390
Take horror down.
00:21:28.512 --> 00:21:29.173
I'm over here trying to
00:21:29.192 --> 00:21:30.453
convince these people that
00:21:30.513 --> 00:21:31.734
it's not horror and that
00:21:31.775 --> 00:21:32.935
you guys go and put horror
00:21:33.215 --> 00:21:33.996
on the website.
00:21:34.036 --> 00:21:37.758
Okay, it's a horror film.
00:21:38.979 --> 00:21:39.940
It's a horror film for those
00:21:39.980 --> 00:21:41.740
expecting Android Lloyd Webber.
00:21:46.022 --> 00:21:46.963
That's the horror.
00:21:47.384 --> 00:21:51.948
Oh, goodness.
00:21:52.847 --> 00:21:53.769
I'll check into that
00:21:54.148 --> 00:21:56.211
tomorrow after my morning gin and tonic.
00:22:00.854 --> 00:22:01.434
Jess and I,
00:22:01.974 --> 00:22:03.296
we have only been able to come
00:22:03.336 --> 00:22:04.497
down to see it once,
00:22:05.017 --> 00:22:06.898
but it made such a lasting impression.
00:22:06.919 --> 00:22:07.019
We're
00:22:07.932 --> 00:22:08.634
We're definitely gonna try
00:22:08.653 --> 00:22:10.013
to get my daughter to come
00:22:10.054 --> 00:22:10.855
with us this year.
00:22:11.375 --> 00:22:13.435
Oh, I think she'd love it, yeah.
00:22:14.057 --> 00:22:20.200
She is a musical person like all of us.
00:22:20.380 --> 00:22:24.323
I think if you took the body
00:22:24.563 --> 00:22:26.723
of our American Theatre
00:22:26.784 --> 00:22:27.964
Organ Society chapter,
00:22:28.721 --> 00:22:32.461
And you go down the row and say,
00:22:32.541 --> 00:22:34.461
how did you first or how
00:22:34.481 --> 00:22:35.663
did you get involved or
00:22:35.722 --> 00:22:37.042
what connected you to the
00:22:37.123 --> 00:22:38.823
Alabama Theater and Big
00:22:38.883 --> 00:22:40.943
Bertha and the Mighty Warlitzer?
00:22:41.084 --> 00:22:42.844
I guarantee you nine out of
00:22:42.884 --> 00:22:44.124
ten of them will say, oh,
00:22:44.203 --> 00:22:45.184
I attended Phantom of the
00:22:45.285 --> 00:22:47.384
Opera in fill in the blank year.
00:22:48.505 --> 00:22:49.365
It's what hooked me.
00:22:49.484 --> 00:22:51.685
It's like I had when growing up.
00:22:53.055 --> 00:22:54.036
My mom was cheap.
00:22:54.115 --> 00:22:55.615
We never went to the Alabama.
00:22:55.635 --> 00:22:56.957
We were going to second run
00:22:57.958 --> 00:22:58.837
neighborhood houses.
00:22:59.038 --> 00:23:00.699
We were going to the Empire
00:23:00.759 --> 00:23:03.820
and the Melba because it was cheaper.
00:23:04.441 --> 00:23:05.662
And good Lord,
00:23:06.082 --> 00:23:08.262
Mona turns ninety Saturday
00:23:08.823 --> 00:23:10.044
and she's still she's still
00:23:10.124 --> 00:23:10.944
out there squeezing a
00:23:10.984 --> 00:23:14.866
nickel in her craggly hand.
00:23:17.375 --> 00:23:18.895
She's not watching so I can say that.
00:23:21.596 --> 00:23:22.297
I won't tell her.
00:23:23.018 --> 00:23:23.718
Don't tell her.
00:23:23.758 --> 00:23:28.080
So I had never been to the
00:23:28.641 --> 00:23:29.741
Alabama growing up.
00:23:29.801 --> 00:23:32.563
We just, we went elsewhere.
00:23:33.644 --> 00:23:36.566
And in nineteen eighty one,
00:23:36.625 --> 00:23:37.846
which was the year that I
00:23:37.865 --> 00:23:39.346
became involved with the
00:23:39.426 --> 00:23:41.008
Alabama and the American
00:23:41.028 --> 00:23:42.169
Theatre Organ Society.
00:23:43.161 --> 00:23:47.805
I was at college and on WBHM,
00:23:47.865 --> 00:23:49.006
they made the announcement
00:23:49.046 --> 00:23:51.028
that the Oregon Society was
00:23:51.048 --> 00:23:51.748
going to be showing this.
00:23:51.847 --> 00:23:54.349
I thought, hey, that can be kind of fun.
00:23:54.390 --> 00:23:56.152
Maybe I'll drive down for that.
00:23:56.172 --> 00:23:57.952
And I was at Jacksonville State,
00:23:57.992 --> 00:24:00.055
so it was a super easy drive.
00:24:00.855 --> 00:24:03.718
And I came down and saw it and I was like,
00:24:06.200 --> 00:24:07.740
holy Hannah Montana, that's just...
00:24:11.387 --> 00:24:13.308
You said that in eighty one.
00:24:13.328 --> 00:24:13.409
Yeah.
00:24:16.050 --> 00:24:16.770
What was that?
00:24:16.851 --> 00:24:18.071
And what is that?
00:24:18.112 --> 00:24:19.833
And what the hell is that?
00:24:22.854 --> 00:24:23.934
And as they say, you know,
00:24:24.015 --> 00:24:27.676
I was hooked and I went the
00:24:27.717 --> 00:24:28.497
chapter meets every
00:24:28.537 --> 00:24:29.857
Saturday to work on the organ.
00:24:29.897 --> 00:24:30.678
And I went back the next
00:24:30.718 --> 00:24:32.519
Saturday to to see if I
00:24:32.558 --> 00:24:33.460
could get involved and.
00:24:34.662 --> 00:24:35.923
As they say, the rest is history.
00:24:36.682 --> 00:24:37.643
And here we are now.
00:24:39.523 --> 00:24:40.384
Now I want to hear more
00:24:40.403 --> 00:24:41.924
about the origin story of
00:24:41.964 --> 00:24:46.067
Hannah Montana now.
00:24:48.847 --> 00:24:49.909
Much like the Phantom,
00:24:50.108 --> 00:24:55.431
I too delve in the dark arts.
00:24:55.471 --> 00:24:57.071
Not too bad with Miley Cyrus, okay?
00:24:57.132 --> 00:24:57.271
Yes.
00:25:00.732 --> 00:25:04.195
So I foresaw and foretold
00:25:04.855 --> 00:25:06.317
Hannah Montana's existence.
00:25:09.398 --> 00:25:09.640
Well,
00:25:10.099 --> 00:25:11.901
I don't know whether to be proud of
00:25:11.941 --> 00:25:12.442
you or not.
00:25:13.162 --> 00:25:14.603
Whisper to Billy Ray's ear.
00:25:16.744 --> 00:25:17.404
Be scared.
00:25:17.986 --> 00:25:18.465
Be scared.
00:25:23.531 --> 00:25:25.133
It's certainly a sight to behold.
00:25:26.615 --> 00:25:28.836
I know when Jess and I went,
00:25:29.036 --> 00:25:31.617
we expected to see the film.
00:25:31.877 --> 00:25:33.118
We expected to hear the organ.
00:25:33.239 --> 00:25:34.920
As you said,
00:25:34.980 --> 00:25:37.162
we did not expect for all of a
00:25:37.201 --> 00:25:38.722
sudden to be a procession
00:25:38.762 --> 00:25:39.604
down the aisles.
00:25:39.923 --> 00:25:40.624
Yeah.
00:25:40.644 --> 00:25:41.805
And then on stage with the
00:25:41.865 --> 00:25:44.166
cemetery and everything like that.
00:25:44.186 --> 00:25:44.267
Yeah.
00:25:44.287 --> 00:25:46.587
Well, in our new...
00:25:48.105 --> 00:25:49.385
I'm not going to spoil anything,
00:25:49.445 --> 00:25:49.967
I don't think,
00:25:50.067 --> 00:25:51.267
but our new lighting
00:25:51.287 --> 00:25:53.528
director has some tricks up her sleeve.
00:25:54.407 --> 00:25:57.308
And it's like two or three times a week,
00:25:57.328 --> 00:25:58.528
she's rushing into where
00:25:58.548 --> 00:26:00.250
I'm sitting going, what if we did this?
00:26:00.309 --> 00:26:02.410
And I'm like, yes, yes.
00:26:04.550 --> 00:26:06.852
So I think, you know,
00:26:06.872 --> 00:26:08.132
I'm going to get her really
00:26:08.152 --> 00:26:09.251
hyped up on some kind of
00:26:09.313 --> 00:26:10.472
chemical that night of.
00:26:14.256 --> 00:26:15.916
we'll see what happens so so
00:26:15.997 --> 00:26:17.257
is she like the whoever
00:26:17.277 --> 00:26:18.617
controls the the lights at
00:26:18.637 --> 00:26:19.818
bryant denny stadium now
00:26:20.118 --> 00:26:23.400
yeah like that she has the
00:26:23.440 --> 00:26:25.721
power I got rgb now watch
00:26:25.781 --> 00:26:29.804
it full fan of the pink
00:26:29.844 --> 00:26:34.465
floyd wait am I tripping
00:26:34.506 --> 00:26:36.426
what's going on what is
00:26:36.467 --> 00:26:38.208
going on it's like it's like
00:26:38.674 --> 00:26:39.494
Let me take your ticket.
00:26:39.575 --> 00:26:42.236
And here's your pill.
00:26:42.256 --> 00:26:44.195
Let us transport you back to
00:26:44.236 --> 00:26:45.896
nineteen twenty five.
00:26:46.696 --> 00:26:49.238
And then it starts RGB.
00:26:49.258 --> 00:26:49.718
Wash that.
00:26:49.758 --> 00:26:50.678
Wash that pill down with
00:26:50.698 --> 00:26:51.919
some Tito's handmade vodka.
00:26:51.939 --> 00:26:56.539
We're there.
00:26:56.740 --> 00:26:57.119
We're there.
00:26:57.200 --> 00:26:58.140
So you got that plug in.
00:26:58.559 --> 00:26:59.681
That's right.
00:26:59.721 --> 00:27:01.560
We will have a lovely little
00:27:02.461 --> 00:27:04.122
fun cocktail for both Hocus
00:27:04.142 --> 00:27:05.061
Pocus and Phantom.
00:27:06.503 --> 00:27:08.006
Featuring Tito's handmade vodka.
00:27:08.165 --> 00:27:10.768
Of course, yeah.
00:27:10.848 --> 00:27:11.669
And gummy.
00:27:12.170 --> 00:27:12.569
And gummy.
00:27:12.971 --> 00:27:13.852
An edible gummy.
00:27:17.114 --> 00:27:18.394
This is going to be a very
00:27:18.615 --> 00:27:20.736
awesome movie presentation.
00:27:20.756 --> 00:27:25.259
It is a child-approved edible gum.
00:27:25.419 --> 00:27:28.020
Yeah, right.
00:27:28.381 --> 00:27:30.701
We got it out of a child-safe container,
00:27:30.842 --> 00:27:31.222
okay?
00:27:32.123 --> 00:27:32.723
It's approved.
00:27:32.763 --> 00:27:34.064
It's all right.
00:27:34.124 --> 00:27:36.526
Next, your sponsor, Avondale Apothecary.
00:27:42.974 --> 00:27:43.434
I've heard.
00:27:45.836 --> 00:27:47.776
It's just a rumor.
00:27:48.036 --> 00:27:51.136
The rumor.
00:27:52.696 --> 00:27:54.538
I can't say enough wonderful
00:27:54.557 --> 00:27:56.498
things about Mr. Helms.
00:27:56.637 --> 00:27:58.118
Once this film gets underway,
00:27:58.159 --> 00:27:59.298
he kind of disappears.
00:28:00.058 --> 00:28:02.779
And as I mentioned, folks say,
00:28:02.920 --> 00:28:05.079
I forgot he was there.
00:28:05.279 --> 00:28:05.900
And he's like,
00:28:05.961 --> 00:28:06.820
that is the greatest
00:28:06.881 --> 00:28:07.861
compliment I can get.
00:28:08.330 --> 00:28:09.611
is that you get so wrapped
00:28:09.691 --> 00:28:11.132
up in the characters and so
00:28:11.152 --> 00:28:12.892
wrapped up in the score.
00:28:13.232 --> 00:28:15.192
And I point these things out
00:28:15.212 --> 00:28:16.294
because I want you to look
00:28:16.334 --> 00:28:17.733
for them if this is your first time,
00:28:18.193 --> 00:28:22.035
is if they are showing an
00:28:22.255 --> 00:28:26.696
opera on screen and the
00:28:28.718 --> 00:28:31.438
singer is in that moment,
00:28:31.699 --> 00:28:33.818
he is playing the exact
00:28:34.900 --> 00:28:36.319
lines that she is singing.
00:28:38.176 --> 00:28:38.817
At one point,
00:28:38.836 --> 00:28:39.917
they're doing a ballet and
00:28:39.958 --> 00:28:42.141
he's doing that ballet.
00:28:42.361 --> 00:28:43.541
You see the orchestra doing
00:28:44.103 --> 00:28:45.044
their thing down there.
00:28:45.104 --> 00:28:46.144
He is actually playing the
00:28:46.224 --> 00:28:47.666
orchestral part of the
00:28:47.707 --> 00:28:48.948
ballet that's being performed.
00:28:50.032 --> 00:28:50.553
Oh, wow.
00:28:50.573 --> 00:28:51.953
It's all very, I get chills.
00:28:52.174 --> 00:28:53.155
It's all very clever.
00:28:54.717 --> 00:28:56.719
And he's a madman.
00:28:56.778 --> 00:28:58.601
And I mean that in the best possible way.
00:28:59.520 --> 00:29:00.582
It's just a genius that he
00:29:00.602 --> 00:29:01.824
contrives all of this.
00:29:01.844 --> 00:29:05.247
And later on,
00:29:05.326 --> 00:29:08.108
he literally plays the ballet in reverse.
00:29:08.128 --> 00:29:11.231
And it's really creepy and
00:29:11.271 --> 00:29:12.933
it conjures the devil.
00:29:12.953 --> 00:29:13.233
No, I'm kidding.
00:29:13.253 --> 00:29:13.594
I'm kidding.
00:29:13.614 --> 00:29:13.934
I'm kidding.
00:29:15.680 --> 00:29:16.961
I just convinced someone
00:29:17.000 --> 00:29:18.402
it's not a horror movie, Gary,
00:29:18.422 --> 00:29:20.604
so that they would come to me to see this,
00:29:20.644 --> 00:29:21.444
and now you're saying we're
00:29:21.484 --> 00:29:25.587
conjuring the devil.
00:29:25.788 --> 00:29:26.808
It's a southern devil.
00:29:26.828 --> 00:29:30.172
Okay, so they got to battle over a fiddle?
00:29:32.012 --> 00:29:34.875
Alabama devil.
00:29:35.035 --> 00:29:35.875
Mama said Phantom of the
00:29:35.955 --> 00:29:36.676
Opera is the devil.
00:29:40.541 --> 00:29:41.462
Come see Phantom of the
00:29:41.544 --> 00:29:42.986
Opera or the devil will get you.
00:29:43.946 --> 00:29:44.347
There you go.
00:29:44.367 --> 00:29:47.992
That needs to be your marquee now.
00:29:48.012 --> 00:29:48.933
Your digital marquee.
00:29:52.317 --> 00:29:53.538
By the way, we passed,
00:29:53.919 --> 00:29:55.961
we were driving down I-sixty-five,
00:29:56.000 --> 00:29:57.301
passed that sign last week.
00:29:58.022 --> 00:29:59.143
It's time to repaint that.
00:29:59.163 --> 00:30:00.124
It's getting a little faded.
00:30:00.144 --> 00:30:01.065
A little fade, yeah.
00:30:01.085 --> 00:30:01.184
What?
00:30:03.507 --> 00:30:04.327
The actual sign?
00:30:04.768 --> 00:30:04.968
Yeah.
00:30:05.188 --> 00:30:05.469
Yeah,
00:30:05.509 --> 00:30:06.750
go to church or the devil will get
00:30:06.769 --> 00:30:07.390
you the sign.
00:30:07.710 --> 00:30:07.910
Oh,
00:30:08.790 --> 00:30:11.153
I thought you were talking about the
00:30:11.173 --> 00:30:11.593
Alabama marquee.
00:30:11.613 --> 00:30:12.074
No, you didn't.
00:30:12.493 --> 00:30:13.535
We just didn't shut down for
00:30:13.555 --> 00:30:13.994
a couple months.
00:30:14.015 --> 00:30:14.496
I'm afraid not, sir.
00:30:14.516 --> 00:30:18.019
He's like, that is literally my job.
00:30:18.118 --> 00:30:19.138
You did not say that, okay?
00:30:21.540 --> 00:30:23.042
I'm worried there for a second there.
00:30:23.182 --> 00:30:25.724
How could you see our
00:30:25.765 --> 00:30:27.126
marquee from sixty five?
00:30:30.250 --> 00:30:31.951
That sign is in rough shape, though.
00:30:31.971 --> 00:30:32.811
It really is.
00:30:32.832 --> 00:30:35.914
I think that adds to its charm.
00:30:36.255 --> 00:30:36.555
Yeah.
00:30:36.756 --> 00:30:37.757
Yeah, I think so.
00:30:39.662 --> 00:30:39.842
I mean,
00:30:39.862 --> 00:30:41.083
last time I drove by the sign
00:30:41.103 --> 00:30:42.403
looked rough and the grass
00:30:42.423 --> 00:30:43.305
was growing up really bad
00:30:43.345 --> 00:30:44.125
around it as well.
00:30:44.145 --> 00:30:44.605
And I was like,
00:30:45.446 --> 00:30:46.907
do you want a glitzy devil?
00:30:47.188 --> 00:30:47.888
Do you want a glitzy?
00:30:51.330 --> 00:30:52.791
Gary, are you asking me for real?
00:30:52.811 --> 00:30:53.353
Because yes, I do.
00:30:53.373 --> 00:30:55.875
That sounds like one of them
00:30:55.894 --> 00:30:56.915
specialty drinks you're going to make.
00:31:01.219 --> 00:31:02.960
I mean, when I think of the devil,
00:31:03.079 --> 00:31:04.280
I think of Glenda from the
00:31:04.300 --> 00:31:05.082
new wicked movie.
00:31:05.762 --> 00:31:06.083
Okay.
00:31:06.623 --> 00:31:07.144
You know what I mean?
00:31:07.183 --> 00:31:08.724
Like, you know, yeah.
00:31:08.744 --> 00:31:08.825
Yeah.
00:31:09.673 --> 00:31:09.972
Well,
00:31:09.992 --> 00:31:11.394
you get a little Ariana Grande as the
00:31:11.413 --> 00:31:11.773
devil.
00:31:12.194 --> 00:31:13.974
Well, you got me thinking, like,
00:31:13.994 --> 00:31:14.675
when you're thinking of that,
00:31:14.695 --> 00:31:15.375
of a glitchy devil,
00:31:15.395 --> 00:31:17.436
I would think of him from, what was it,
00:31:17.457 --> 00:31:18.478
the, what was the cartoon?
00:31:18.498 --> 00:31:19.278
Powerpuff Girls.
00:31:19.438 --> 00:31:20.578
Powerpuff Girls, yes, him.
00:31:23.200 --> 00:31:25.381
I just, I, for some reason, went to,
00:31:25.961 --> 00:31:27.061
I went to Saturday Night Live,
00:31:27.102 --> 00:31:29.002
church that, do you want Satan glitzy?
00:31:29.042 --> 00:31:29.423
Satan glitzy.
00:31:34.548 --> 00:31:35.388
Okay, Gary,
00:31:35.469 --> 00:31:37.089
there's your new... Are we
00:31:37.109 --> 00:31:38.089
going to get back on track here?
00:31:38.631 --> 00:31:39.570
Oh, no, no, no.
00:31:39.590 --> 00:31:41.212
Just to clarify for anyone listening,
00:31:41.292 --> 00:31:43.273
it's not a horror thing, okay?
00:31:43.394 --> 00:31:43.854
Please.
00:31:44.634 --> 00:31:44.914
Gary,
00:31:44.934 --> 00:31:48.096
that is your new shirt at your work
00:31:48.136 --> 00:31:49.018
camp in Alabama.
00:31:49.218 --> 00:31:50.338
Do you want a glitzy devil?
00:31:50.878 --> 00:31:52.240
Do you want a glitzy devil?
00:31:52.440 --> 00:31:52.660
Yes.
00:31:55.801 --> 00:31:56.583
And people who have been
00:31:56.702 --> 00:31:57.923
coming since seventy nine
00:31:57.963 --> 00:31:59.765
when they got started, they're like,
00:31:59.805 --> 00:32:00.986
what are you talking about?
00:32:01.066 --> 00:32:07.010
So I think a couple of you
00:32:07.451 --> 00:32:08.692
have been to a Christmas
00:32:08.731 --> 00:32:09.972
movie where I'm actually
00:32:10.012 --> 00:32:13.175
playing for the Christmas movie.
00:32:13.256 --> 00:32:15.518
I generally wear some kind
00:32:15.877 --> 00:32:19.300
of Pentecostal style jacket.
00:32:19.461 --> 00:32:19.780
Yes.
00:32:21.001 --> 00:32:23.805
And so there's your glitzy devil.
00:32:24.144 --> 00:32:25.145
Oh, there you go.
00:32:26.826 --> 00:32:27.026
I mean,
00:32:27.046 --> 00:32:28.567
we've seen you perform at the best
00:32:28.587 --> 00:32:33.073
Christmas movie, which is Die Hard.
00:32:33.532 --> 00:32:33.633
Yeah.
00:32:33.973 --> 00:32:34.934
Now see, let's talk about this.
00:32:34.954 --> 00:32:35.535
Here we go.
00:32:37.517 --> 00:32:39.259
Is Phantom a horror movie?
00:32:40.359 --> 00:32:42.803
Is Die Hard a Christmas movie?
00:32:43.584 --> 00:32:45.065
I'm not going to open that can of worms.
00:32:45.586 --> 00:32:46.467
It is a Christmas movie.
00:32:47.082 --> 00:32:47.882
It is a Christmas movie.
00:32:47.981 --> 00:32:49.863
It is a Christmas movie.
00:32:50.143 --> 00:32:51.223
Die Hard is a Christmas movie.
00:32:51.263 --> 00:32:51.403
No,
00:32:51.743 --> 00:32:53.663
you'll never ever get me to say
00:32:53.704 --> 00:32:54.404
anything else.
00:32:56.125 --> 00:32:57.566
Phantom is a love story with
00:32:57.605 --> 00:32:59.227
a very scary figure.
00:32:59.267 --> 00:33:03.147
Yeah, so is it horrific?
00:33:03.508 --> 00:33:03.867
Yes.
00:33:04.388 --> 00:33:06.269
But for the sake of this show,
00:33:06.628 --> 00:33:07.470
we need to make sure that
00:33:07.490 --> 00:33:09.990
we say that Phantom is not a horror movie,
00:33:10.010 --> 00:33:10.171
okay?
00:33:10.230 --> 00:33:12.672
Because I can't... I need
00:33:12.692 --> 00:33:13.432
that to be like...
00:33:14.098 --> 00:33:16.480
okay I I I think that's an
00:33:16.559 --> 00:33:17.901
okay thing to say because I
00:33:17.961 --> 00:33:19.701
say that I it is a story of
00:33:19.781 --> 00:33:22.544
love and betrayal and I
00:33:22.564 --> 00:33:23.644
know we're live how much
00:33:23.663 --> 00:33:24.785
can I get away with saying
00:33:24.825 --> 00:33:28.507
here we push the boundaries
00:33:28.567 --> 00:33:29.508
already brock's already
00:33:29.528 --> 00:33:30.607
been squirming over there a
00:33:30.627 --> 00:33:36.131
little bit so well you know
00:33:36.171 --> 00:33:38.593
people we got several people watching uh
00:33:39.365 --> 00:33:41.207
Why don't you guys that are watching live,
00:33:41.646 --> 00:33:42.507
sound off in the chat.
00:33:43.288 --> 00:33:44.488
Is Die Hard a Christmas movie?
00:33:44.627 --> 00:33:46.128
Is Phantom of the Opera a horror movie?
00:33:46.769 --> 00:33:47.028
Yeah.
00:33:47.469 --> 00:33:49.950
Give us your take.
00:33:50.029 --> 00:33:52.191
But I always tell people privately,
00:33:52.310 --> 00:33:54.352
you know, the main character in here,
00:33:54.392 --> 00:33:56.373
Christine Day, she is a,
00:33:56.432 --> 00:33:58.034
and you just fill in the
00:33:58.074 --> 00:33:59.394
blank there with the word
00:33:59.413 --> 00:34:00.674
that you're thinking right now.
00:34:00.755 --> 00:34:00.994
Yeah.
00:34:01.015 --> 00:34:01.154
Yeah.
00:34:04.175 --> 00:34:08.538
yeah yeah yeah a scoundrel
00:34:08.557 --> 00:34:10.358
there we go she is the
00:34:10.398 --> 00:34:12.960
devil there you go she's
00:34:13.159 --> 00:34:14.800
not glitzy enough though
00:34:15.360 --> 00:34:18.181
yeah I don't know she's got
00:34:18.222 --> 00:34:19.483
some great costumes in this
00:34:19.523 --> 00:34:20.742
this movie oh that is true
00:34:20.782 --> 00:34:23.744
that is true you know I
00:34:23.885 --> 00:34:25.125
really hate I really hate
00:34:25.144 --> 00:34:27.365
that I I've got the uh neck
00:34:27.405 --> 00:34:28.867
of the toy company they put out
00:34:29.813 --> 00:34:30.695
They put out a black and
00:34:30.715 --> 00:34:33.336
white Lon Chaney Phantom of
00:34:33.356 --> 00:34:34.137
the Opera figure,
00:34:34.237 --> 00:34:36.039
and I totally failed and
00:34:36.099 --> 00:34:37.280
did not... I mean,
00:34:37.360 --> 00:34:38.340
I can go get it really
00:34:38.380 --> 00:34:39.481
quickly if you want to see it.
00:34:40.202 --> 00:34:41.023
Do you know where it's at?
00:34:41.802 --> 00:34:42.023
Yep.
00:34:42.202 --> 00:34:42.423
Oh, okay.
00:34:42.443 --> 00:34:42.864
Go get it, Brock.
00:34:42.884 --> 00:34:44.005
Go get it, Brock.
00:34:44.025 --> 00:34:44.585
Go get it, Brock.
00:34:44.605 --> 00:34:45.166
We're totally going to
00:34:45.186 --> 00:34:46.365
break... We're going to
00:34:46.407 --> 00:34:47.327
break this while you're gone.
00:34:54.411 --> 00:34:54.652
Yeah.
00:34:54.952 --> 00:34:56.634
I think he muted Jess as well.
00:34:56.673 --> 00:34:57.394
Oh.
00:34:59.248 --> 00:35:00.130
Oh, Jess, you're muted.
00:35:00.150 --> 00:35:01.231
Yeah, when she stepped away,
00:35:01.251 --> 00:35:02.094
I took him out.
00:35:02.273 --> 00:35:04.056
So, Jess, this is your cue to cough.
00:35:04.077 --> 00:35:05.418
You can cough now, okay?
00:35:05.438 --> 00:35:07.342
Cough all you want.
00:35:07.362 --> 00:35:09.364
Into the mic.
00:35:11.269 --> 00:35:12.271
so yeah we want to make sure
00:35:12.291 --> 00:35:13.510
that we are very well aware
00:35:13.530 --> 00:35:14.831
that the phantom that this
00:35:14.851 --> 00:35:15.652
version of the phantom is
00:35:15.751 --> 00:35:16.711
not a horror movie and
00:35:16.731 --> 00:35:18.273
neither and no version of
00:35:18.293 --> 00:35:18.932
the phantom I've ever
00:35:18.992 --> 00:35:19.873
watched has been a horror
00:35:19.914 --> 00:35:21.313
movie it's always exactly
00:35:21.353 --> 00:35:22.215
the way you described it
00:35:22.255 --> 00:35:23.215
gary where it's just kind
00:35:23.255 --> 00:35:25.155
of a it's a love story you
00:35:25.195 --> 00:35:26.436
very much feel the love in
00:35:26.496 --> 00:35:27.817
it and it's also the big
00:35:27.856 --> 00:35:28.777
thing is is a story of
00:35:28.797 --> 00:35:30.798
betrayal it's it's a huge
00:35:30.818 --> 00:35:32.039
story like a betrayal all
00:35:32.079 --> 00:35:35.119
over the place oh he's back
00:35:35.601 --> 00:35:36.360
showing I'm back
00:35:38.740 --> 00:35:40.322
When you leave, Brock, it mutes me.
00:35:40.501 --> 00:35:41.001
Oh, does it?
00:35:41.463 --> 00:35:41.963
I'm sorry.
00:35:41.983 --> 00:35:44.244
I forget.
00:35:44.264 --> 00:35:45.525
We're on the same feed in here.
00:35:45.585 --> 00:35:47.085
My bad.
00:35:47.585 --> 00:35:48.545
Is that what you kids are
00:35:48.565 --> 00:35:49.465
calling it these days?
00:35:49.505 --> 00:35:49.967
That's right.
00:35:50.007 --> 00:35:53.007
That's what we call it these days.
00:35:53.027 --> 00:35:53.807
All right, Brock, show us.
00:35:54.028 --> 00:35:54.869
Oh, he does have it.
00:35:55.289 --> 00:35:56.250
Yeah.
00:35:56.710 --> 00:35:57.110
Let's see.
00:35:58.927 --> 00:36:00.186
There he is.
00:36:00.307 --> 00:36:02.188
Oh my gosh.
00:36:02.268 --> 00:36:03.010
Oh wow.
00:36:04.851 --> 00:36:05.391
Sweet.
00:36:06.632 --> 00:36:07.253
Does it open?
00:36:08.213 --> 00:36:11.255
It does.
00:36:11.376 --> 00:36:11.896
Oh.
00:36:12.195 --> 00:36:13.297
Oh man.
00:36:15.077 --> 00:36:16.840
The man of a thousand faces.
00:36:17.139 --> 00:36:17.880
Isn't that beautiful?
00:36:19.302 --> 00:36:20.222
That's incredible.
00:36:20.382 --> 00:36:21.822
Fantastic job with these.
00:36:21.842 --> 00:36:23.264
They've done the universal
00:36:23.304 --> 00:36:25.045
monsters and things like this.
00:36:25.085 --> 00:36:26.347
So yeah, we've been collecting.
00:36:26.967 --> 00:36:27.987
We've been collecting these.
00:36:31.010 --> 00:36:32.490
I've got to get me one of those.
00:36:32.510 --> 00:36:32.771
Yeah, you do.
00:36:32.811 --> 00:36:36.715
They're easy to find.
00:36:36.735 --> 00:36:37.615
Yeah.
00:36:37.635 --> 00:36:38.635
I'll go over to Kevin's and
00:36:38.695 --> 00:36:39.797
rob it from his front yard.
00:36:39.817 --> 00:36:41.498
There you go.
00:36:43.059 --> 00:36:43.940
I haven't gotten into any
00:36:43.981 --> 00:36:44.882
Phantom stuff yet,
00:36:44.922 --> 00:36:46.782
but I've only been doing this a few years,
00:36:46.822 --> 00:36:47.483
so give me time.
00:36:48.364 --> 00:36:48.945
I'll give you time.
00:36:52.460 --> 00:36:52.641
No,
00:36:52.661 --> 00:36:55.304
the only thing horrific about Phantom
00:36:55.364 --> 00:36:58.525
is his appearance, is the way he looks.
00:36:58.545 --> 00:36:59.746
And that shock, you know,
00:36:59.766 --> 00:37:02.349
when she goes to pull the mask away,
00:37:02.389 --> 00:37:03.590
you see the face.
00:37:04.170 --> 00:37:05.853
You know, you see the face.
00:37:06.052 --> 00:37:08.114
That's the shock part of it.
00:37:08.215 --> 00:37:08.954
It is shocking.
00:37:09.155 --> 00:37:12.277
And see, here we're back to her character.
00:37:13.159 --> 00:37:16.280
He tells her, you know, you will be fine.
00:37:17.282 --> 00:37:18.523
Everything will be fine as
00:37:18.563 --> 00:37:19.204
long as you don't.
00:37:20.034 --> 00:37:21.155
pull my mask away.
00:37:21.335 --> 00:37:23.456
And what does she do?
00:37:23.878 --> 00:37:24.998
Pull the mask away.
00:37:25.980 --> 00:37:28.422
And she is horrified,
00:37:29.123 --> 00:37:29.983
as I think most of the
00:37:30.083 --> 00:37:31.184
audience will be too,
00:37:32.226 --> 00:37:34.929
because he went to great
00:37:35.389 --> 00:37:37.711
lengths to create this
00:37:39.061 --> 00:37:39.442
face.
00:37:40.282 --> 00:37:41.443
And so a couple of things,
00:37:41.583 --> 00:37:43.143
one is when they were filming,
00:37:43.603 --> 00:37:45.963
she had never seen his makeup.
00:37:45.983 --> 00:37:47.623
So when she pulls the mask
00:37:47.643 --> 00:37:48.824
and sees it for the first time,
00:37:49.143 --> 00:37:50.405
that is an actual real
00:37:50.465 --> 00:37:52.644
reaction to seeing him.
00:37:53.125 --> 00:37:53.485
Now,
00:37:54.025 --> 00:37:56.246
what he did to create this is he was
00:37:56.306 --> 00:37:59.606
putting celluloid discs up inside here,
00:37:59.646 --> 00:38:01.146
inside his teeth and cheeks.
00:38:02.108 --> 00:38:05.268
He was using wires like
00:38:05.307 --> 00:38:07.108
chicken wire to pull here.
00:38:07.688 --> 00:38:09.730
He was making a concoction
00:38:09.889 --> 00:38:13.811
using egg whites to glaze his eyes over.
00:38:14.253 --> 00:38:17.313
I mean,
00:38:17.333 --> 00:38:18.655
that's a lot of work and a lot of
00:38:18.695 --> 00:38:21.976
commitment to create.
00:38:21.996 --> 00:38:23.297
Yeah, these days that's just Botox.
00:38:23.318 --> 00:38:23.478
Okay.
00:38:23.657 --> 00:38:25.739
Botox.
00:38:27.250 --> 00:38:29.271
A little bit of Botox, a little CGI.
00:38:32.373 --> 00:38:33.273
He literally walked around
00:38:33.293 --> 00:38:34.675
with his own tackle box
00:38:34.735 --> 00:38:36.936
full of prosthetics and makeup.
00:38:37.898 --> 00:38:42.161
He had wire that pulled his nose up.
00:38:42.181 --> 00:38:44.061
You want to talk about practical effects,
00:38:44.141 --> 00:38:44.641
that's fine.
00:38:45.483 --> 00:38:48.525
Here we are right here.
00:38:49.786 --> 00:38:52.108
When you think of how much time
00:38:53.329 --> 00:38:54.208
practice,
00:38:54.929 --> 00:38:56.771
trial and error he did to come up
00:38:56.791 --> 00:38:58.532
with this horrific look.
00:39:01.275 --> 00:39:02.155
I don't think anybody could
00:39:02.175 --> 00:39:03.096
have done that to him.
00:39:03.135 --> 00:39:05.518
I think he had to do that to himself.
00:39:05.538 --> 00:39:05.617
Yeah.
00:39:06.358 --> 00:39:08.721
It's kind of like...
00:39:10.273 --> 00:39:10.813
I was just going to say,
00:39:10.914 --> 00:39:11.813
it's kind of like Betty
00:39:11.833 --> 00:39:13.916
Davis in Whatever Happened to Baby Jane.
00:39:14.436 --> 00:39:15.817
She did that makeup on
00:39:15.876 --> 00:39:20.019
herself because her primary
00:39:20.059 --> 00:39:21.001
makeup artist that she
00:39:21.041 --> 00:39:22.061
worked with forever said,
00:39:22.461 --> 00:39:23.422
I'm not doing this.
00:39:24.083 --> 00:39:25.244
They'll run me out of town.
00:39:25.664 --> 00:39:27.746
And she just slathered it on.
00:39:27.826 --> 00:39:29.806
And Chaney was in that same vein.
00:39:30.668 --> 00:39:31.708
Anything for the art,
00:39:31.809 --> 00:39:34.851
anything for the reaction,
00:39:34.951 --> 00:39:35.751
anything for...
00:39:36.693 --> 00:39:37.753
making this the best that he
00:39:37.813 --> 00:39:38.715
possibly could.
00:39:38.755 --> 00:39:39.094
Basically,
00:39:39.114 --> 00:39:40.315
it was kind of like method acting,
00:39:40.335 --> 00:39:41.896
but like a physical transformation.
00:39:41.916 --> 00:39:42.257
Oh, yeah.
00:39:42.336 --> 00:39:42.757
Yeah.
00:39:42.818 --> 00:39:43.318
Yeah.
00:39:43.378 --> 00:39:43.538
Well,
00:39:44.219 --> 00:39:46.019
and he was he was used to physical
00:39:46.300 --> 00:39:46.639
acting.
00:39:46.721 --> 00:39:48.282
He had grown up in
00:39:48.322 --> 00:39:49.782
vaudeville and had
00:39:49.842 --> 00:39:51.603
transitioned over to silent film.
00:39:51.643 --> 00:39:53.164
So he he understood the
00:39:53.204 --> 00:39:55.487
physicality of everything
00:39:55.527 --> 00:39:56.668
being on screen.
00:39:56.927 --> 00:39:59.530
And it just it was a natural fit.
00:39:59.570 --> 00:40:00.951
It was just a magic moment
00:40:01.090 --> 00:40:02.152
in cinematic history.
00:40:02.679 --> 00:40:02.918
Yeah.
00:40:03.380 --> 00:40:04.740
And I think the success of
00:40:04.800 --> 00:40:07.242
him coming off of Hunchback was what,
00:40:07.623 --> 00:40:09.264
you know, that allowed them to like, okay,
00:40:09.304 --> 00:40:11.065
of course, here is your freedom.
00:40:11.146 --> 00:40:13.148
You know, you create your character.
00:40:13.208 --> 00:40:14.268
We trust you to,
00:40:14.309 --> 00:40:15.429
we're going to put this in your hand,
00:40:15.449 --> 00:40:17.010
we trust the outcome of it.
00:40:17.070 --> 00:40:17.690
Yeah.
00:40:17.771 --> 00:40:19.452
Well, and, you know, I said that earlier,
00:40:19.952 --> 00:40:24.257
he was a very known entity.
00:40:24.902 --> 00:40:26.382
And by that point, like you just said,
00:40:26.402 --> 00:40:28.704
he was well trusted by the studio.
00:40:29.005 --> 00:40:31.505
They expected him to do his
00:40:31.545 --> 00:40:32.706
best and he always did.
00:40:34.934 --> 00:40:36.594
He didn't make money and he did that.
00:40:38.876 --> 00:40:40.697
So, you know, free reign, free license,
00:40:41.137 --> 00:40:42.159
do your own thing.
00:40:42.239 --> 00:40:42.579
Yeah.
00:40:42.659 --> 00:40:44.139
Yeah.
00:40:44.219 --> 00:40:46.061
He was, he was, he's fantastic.
00:40:46.722 --> 00:40:47.001
Yeah.
00:40:47.021 --> 00:40:49.063
For, for, for all that he, you know, the,
00:40:49.083 --> 00:40:50.043
what, the things he did.
00:40:50.083 --> 00:40:52.405
And of course the makeup is just, you know,
00:40:52.425 --> 00:40:54.065
it's just fantastic.
00:40:55.007 --> 00:40:55.887
Well, it is fantastic.
00:40:56.106 --> 00:40:56.907
It's also painful.
00:40:57.367 --> 00:40:58.489
So, you know,
00:40:58.509 --> 00:40:59.248
there was a great deal of
00:40:59.289 --> 00:41:00.710
physical pain for him to be
00:41:00.769 --> 00:41:01.670
in that getup.
00:41:03.217 --> 00:41:04.759
for those hours.
00:41:04.838 --> 00:41:06.920
Which I'm sure that fed into
00:41:06.960 --> 00:41:09.503
the whole pain and betrayal part of it.
00:41:09.543 --> 00:41:10.403
I'm sure that actually fed
00:41:10.463 --> 00:41:11.284
into him being able to do
00:41:11.324 --> 00:41:12.246
the character as well.
00:41:12.545 --> 00:41:13.867
Just the pain of the actual
00:41:14.427 --> 00:41:16.090
because he was able to pull
00:41:16.130 --> 00:41:18.532
on that pain to give you
00:41:18.572 --> 00:41:19.472
the character as well.
00:41:20.222 --> 00:41:23.903
Yeah, and I always feel,
00:41:24.844 --> 00:41:26.505
the very first time I saw this, I thought,
00:41:27.264 --> 00:41:28.626
I'm going to hate him.
00:41:28.726 --> 00:41:30.106
He's an awful person.
00:41:30.646 --> 00:41:31.847
And I came away that very
00:41:31.887 --> 00:41:34.228
first time and I felt sorry
00:41:34.248 --> 00:41:35.688
for him because here's
00:41:35.748 --> 00:41:38.989
someone who is rejected by society.
00:41:40.090 --> 00:41:43.132
He's living in the bowels of
00:41:43.172 --> 00:41:44.512
the Paris Opera House.
00:41:45.193 --> 00:41:47.253
And he basically has...
00:41:47.974 --> 00:41:50.536
everything that he needs
00:41:50.996 --> 00:41:52.717
except one thing and that
00:41:52.777 --> 00:41:54.436
is love and companionship
00:41:55.496 --> 00:41:58.197
and he saw this as a way to
00:41:58.717 --> 00:42:00.018
obtain love and
00:42:01.679 --> 00:42:03.960
companionship and uh of
00:42:04.000 --> 00:42:05.340
course you know let's see
00:42:05.400 --> 00:42:06.721
black black magic dark
00:42:06.740 --> 00:42:08.400
magic trickery a little bit
00:42:08.440 --> 00:42:10.581
of murder we're all
00:42:11.641 --> 00:42:12.943
involved but you know
00:42:12.963 --> 00:42:14.163
glitzy devils glitzy devils
00:42:14.242 --> 00:42:15.623
glitzy devils what are you
00:42:15.643 --> 00:42:16.443
gonna do for love
00:42:19.076 --> 00:42:19.195
Yeah.
00:42:19.215 --> 00:42:20.476
Well, I mean, that's good.
00:42:20.496 --> 00:42:21.077
I mean, that's, you know,
00:42:21.117 --> 00:42:22.159
you talk about here we are, it's,
00:42:22.179 --> 00:42:22.398
you know,
00:42:22.438 --> 00:42:23.418
almost a hundred years later
00:42:23.438 --> 00:42:25.661
from the movie was released and yeah.
00:42:25.721 --> 00:42:26.161
Oh yeah.
00:42:26.181 --> 00:42:26.842
We're real close.
00:42:27.382 --> 00:42:27.503
Yeah.
00:42:27.523 --> 00:42:27.862
We're close.
00:42:27.882 --> 00:42:27.963
Yeah.
00:42:27.983 --> 00:42:29.204
Think about what we're going
00:42:29.224 --> 00:42:32.226
to do next year.
00:42:32.246 --> 00:42:33.266
That like, yes.
00:42:33.286 --> 00:42:34.867
I mean, we're going to show jaws.
00:42:40.048 --> 00:42:40.668
Jaws three.
00:42:41.570 --> 00:42:42.670
We're totally going to miss it this year.
00:42:42.690 --> 00:42:45.190
It's fine.
00:42:45.210 --> 00:42:48.452
Jaws three D. That's a horror film.
00:42:48.472 --> 00:42:55.373
Yeah, there we go.
00:42:55.414 --> 00:42:57.175
Honestly, it would be tragic,
00:42:57.195 --> 00:42:58.074
but it would be hilarious
00:42:58.114 --> 00:42:59.054
if you guys just decided to
00:42:59.094 --> 00:42:59.856
show something totally
00:42:59.876 --> 00:43:00.675
different and people are like,
00:43:01.376 --> 00:43:03.336
it's literally the one year anniversary.
00:43:04.137 --> 00:43:04.536
Really?
00:43:04.556 --> 00:43:05.378
It is?
00:43:07.521 --> 00:43:07.943
It will be.
00:43:08.242 --> 00:43:09.204
Now, let me tell you,
00:43:09.864 --> 00:43:10.846
what we should sneak in is
00:43:10.885 --> 00:43:11.927
the Andrew Lloyd Webber.
00:43:13.568 --> 00:43:15.530
Yes, that's when you do it.
00:43:15.590 --> 00:43:15.891
Yes.
00:43:17.472 --> 00:43:18.373
Or the nineteen ninety
00:43:18.414 --> 00:43:19.394
Robert England version.
00:43:19.855 --> 00:43:20.775
Oh, no.
00:43:25.318 --> 00:43:26.219
Or you could really, you know,
00:43:26.239 --> 00:43:27.681
shake things up and make it, you know,
00:43:27.721 --> 00:43:29.123
Phantom of the Paradise from the,
00:43:29.222 --> 00:43:30.103
you know, the seventies.
00:43:30.164 --> 00:43:33.927
So there you go.
00:43:33.947 --> 00:43:34.168
Yeah.
00:43:34.208 --> 00:43:34.487
No.
00:43:34.527 --> 00:43:39.393
You want to talk about a trip?
00:43:39.432 --> 00:43:40.293
That's a trippy one.
00:43:40.534 --> 00:43:41.155
That's a trip one.
00:43:41.195 --> 00:43:42.155
Yeah, that's trippy.
00:43:43.126 --> 00:43:44.027
I do look forward to seeing
00:43:44.047 --> 00:43:45.088
this because I know that it
00:43:45.128 --> 00:43:46.389
was an inspiration for the
00:43:46.568 --> 00:43:48.030
Andrew Lloyd Webber musical.
00:43:48.369 --> 00:43:49.391
And then the version in the
00:43:49.411 --> 00:43:50.431
film version that came out,
00:43:50.692 --> 00:43:51.452
what was in like two
00:43:51.492 --> 00:43:54.635
thousand or whatever it was, you know,
00:43:54.655 --> 00:43:55.456
it was an inspiration.
00:43:55.496 --> 00:43:56.297
But just like the way you're
00:43:56.336 --> 00:43:57.918
talking about it, you know,
00:43:57.998 --> 00:43:59.378
he while it was while I'm
00:43:59.619 --> 00:44:01.159
picking up that it wasn't as good.
00:44:02.340 --> 00:44:03.461
I'm also picking up like
00:44:03.541 --> 00:44:04.762
where he obviously where he
00:44:04.782 --> 00:44:05.864
drew a lot of his inspiration,
00:44:05.903 --> 00:44:06.565
because like, you know,
00:44:06.605 --> 00:44:08.005
watching in the Andrew
00:44:08.025 --> 00:44:08.746
Lloyd Webber version,
00:44:08.806 --> 00:44:09.967
watching the Phantom,
00:44:10.047 --> 00:44:11.668
I came away feeling sorry for him.
00:44:12.548 --> 00:44:13.329
Every time I watch it,
00:44:13.349 --> 00:44:14.869
you feel sorry for him because it's like,
00:44:15.429 --> 00:44:16.110
yeah, man, I mean,
00:44:16.190 --> 00:44:17.010
the dude thought he had it
00:44:17.030 --> 00:44:17.650
all figured out.
00:44:17.690 --> 00:44:19.030
He was just going to sweep
00:44:19.050 --> 00:44:19.891
her off her feet,
00:44:20.271 --> 00:44:21.331
do a little bit of murder.
00:44:21.532 --> 00:44:22.291
This is all fine.
00:44:22.331 --> 00:44:23.012
Everything's fine.
00:44:23.092 --> 00:44:23.452
It's fine.
00:44:23.612 --> 00:44:24.492
You're going to be perfectly
00:44:24.532 --> 00:44:25.592
fine with this life, right?
00:44:25.913 --> 00:44:28.333
And then she's like, yeah, no, bro,
00:44:28.733 --> 00:44:29.393
this is not cool.
00:44:31.726 --> 00:44:32.907
There weren't glitzy devils in it.
00:44:34.768 --> 00:44:36.588
Well, and she's not doing the,
00:44:36.768 --> 00:44:37.929
this is a cool thing.
00:44:37.949 --> 00:44:40.009
She's doing the, I want it all thing.
00:44:40.048 --> 00:44:42.190
She wanted to keep her lover.
00:44:43.369 --> 00:44:44.751
She wanted to star,
00:44:45.331 --> 00:44:47.331
to be the star of the opera.
00:44:47.672 --> 00:44:49.472
And she just didn't uphold
00:44:49.512 --> 00:44:50.413
her end of the bargain is
00:44:50.452 --> 00:44:53.432
what basically it boils down to.
00:44:53.472 --> 00:44:54.253
So, yeah.
00:44:55.173 --> 00:44:57.155
It's a shame.
00:44:57.195 --> 00:44:57.275
Yeah.
00:44:57.295 --> 00:44:58.115
I do look forward to seeing
00:44:58.135 --> 00:44:59.097
this version since it's,
00:44:59.197 --> 00:45:00.018
it is the original.
00:45:00.057 --> 00:45:00.318
So that's.
00:45:00.757 --> 00:45:01.298
Yeah.
00:45:01.378 --> 00:45:01.579
Yeah.
00:45:01.679 --> 00:45:02.340
And, and, you know, there's,
00:45:02.380 --> 00:45:04.380
there's been so many iterations of this.
00:45:04.460 --> 00:45:05.561
I think this is,
00:45:05.822 --> 00:45:09.684
this is certainly my favorite, the best.
00:45:10.346 --> 00:45:12.106
This was this, you know, this was a novel.
00:45:12.748 --> 00:45:13.969
They lifted a lot of this
00:45:13.989 --> 00:45:14.989
from the novel and we get
00:45:15.389 --> 00:45:17.010
once or one or two a year that go,
00:45:17.271 --> 00:45:18.532
it's not in the novel, you know,
00:45:18.592 --> 00:45:20.434
and I'm like, Hollywood license.
00:45:20.454 --> 00:45:20.634
Yeah.
00:45:20.833 --> 00:45:21.534
Yeah, right.
00:45:22.355 --> 00:45:24.295
Hollywood does take that dramatic license.
00:45:24.376 --> 00:45:25.717
But see, this is what's funny.
00:45:25.737 --> 00:45:26.916
You're talking about in a
00:45:26.976 --> 00:45:27.797
time and age where people
00:45:27.838 --> 00:45:28.777
are tired of remakes and
00:45:28.818 --> 00:45:30.159
reboots and they get upset.
00:45:30.579 --> 00:45:31.358
At the end of the day,
00:45:31.398 --> 00:45:32.739
you've still got your original classic.
00:45:32.780 --> 00:45:34.061
As you see, if it's a great movie,
00:45:34.101 --> 00:45:35.081
it has staying power.
00:45:35.101 --> 00:45:35.161
Yes.
00:45:35.740 --> 00:45:35.822
Yes.
00:45:35.981 --> 00:45:36.922
Yes.
00:45:38.043 --> 00:45:38.722
Yep.
00:45:40.981 --> 00:45:41.681
Yeah, I agree.
00:45:42.101 --> 00:45:42.702
I prefer this.
00:45:42.762 --> 00:45:42.943
And I,
00:45:43.402 --> 00:45:45.844
I prefer this one over the Claude
00:45:45.884 --> 00:45:46.764
Rains version of the
00:45:46.804 --> 00:45:47.443
Phantom of the Opera.
00:45:47.463 --> 00:45:48.585
Yeah.
00:45:48.625 --> 00:45:50.304
But I just something about,
00:45:50.364 --> 00:45:51.164
I don't really like the
00:45:51.184 --> 00:45:53.885
Claude Rains version of Phantom.
00:45:53.925 --> 00:45:55.246
He was a violinist too.
00:45:55.327 --> 00:45:56.306
It was just kind of weird.
00:45:56.327 --> 00:45:56.766
Yeah.
00:45:56.867 --> 00:45:57.047
Yeah.
00:45:58.387 --> 00:46:00.367
I, I just, I don't know the,
00:46:00.387 --> 00:46:02.068
the remakes after that, they, you know,
00:46:02.108 --> 00:46:02.289
they're,
00:46:02.369 --> 00:46:03.909
they're just trying to capitalize
00:46:04.269 --> 00:46:05.610
on the hype of it.
00:46:05.630 --> 00:46:07.311
And I don't think anyone really actually,
00:46:07.331 --> 00:46:07.371
uh,
00:46:08.739 --> 00:46:09.920
captures that essence.
00:46:10.260 --> 00:46:10.440
Now,
00:46:10.581 --> 00:46:12.961
I do admire the Andrew Lloyd Webber
00:46:12.981 --> 00:46:16.643
just because, I mean, you can't not.
00:46:16.684 --> 00:46:17.905
How much money did it make?
00:46:18.144 --> 00:46:19.126
Right.
00:46:19.206 --> 00:46:19.925
If you're looking just
00:46:20.106 --> 00:46:21.867
strictly at box office success.
00:46:22.086 --> 00:46:22.427
Yeah.
00:46:22.467 --> 00:46:23.867
But, you know,
00:46:23.887 --> 00:46:25.228
you do have this original
00:46:25.369 --> 00:46:28.731
inspiration and it is as
00:46:28.791 --> 00:46:32.672
timeless today as it was then, you know,
00:46:32.753 --> 00:46:34.034
almost a hundred years later.
00:46:34.054 --> 00:46:34.273
Mm-hmm.
00:46:37.347 --> 00:46:38.509
I do want to point out that
00:46:38.528 --> 00:46:43.333
you can get tickets at
00:46:43.612 --> 00:46:47.036
www.alabamatheater.com
00:46:47.096 --> 00:46:49.717
slash events and it will pull that up.
00:46:49.797 --> 00:46:50.938
Just make sure you're going
00:46:50.958 --> 00:46:52.681
through our Alabama Theater
00:46:52.701 --> 00:46:56.483
website or going to Ticketmaster Direct.
00:46:56.503 --> 00:46:57.184
I had...
00:46:58.465 --> 00:47:00.306
One person say, oh, we bought our tickets.
00:47:00.365 --> 00:47:01.146
We're so excited.
00:47:01.166 --> 00:47:01.746
They were one hundred and
00:47:01.786 --> 00:47:08.248
sixty four dollars.
00:47:08.447 --> 00:47:09.188
And I'm like, what?
00:47:10.128 --> 00:47:11.329
I just bought two tickets
00:47:11.369 --> 00:47:12.550
and they were thirty three dollars.
00:47:13.590 --> 00:47:14.311
So that should.
00:47:14.331 --> 00:47:14.891
Yeah, that should.
00:47:14.911 --> 00:47:14.990
Yeah.
00:47:15.231 --> 00:47:15.692
Yeah.
00:47:15.831 --> 00:47:16.192
It's well,
00:47:16.211 --> 00:47:17.994
that's that's that's if you bought two,
00:47:18.014 --> 00:47:18.434
that's it.
00:47:18.454 --> 00:47:19.894
Because it's it's six.
00:47:20.094 --> 00:47:21.757
It's sixteen all in.
00:47:22.237 --> 00:47:22.657
Yeah.
00:47:22.677 --> 00:47:23.398
And times two.
00:47:23.418 --> 00:47:24.219
And then there's a dollar
00:47:24.259 --> 00:47:25.079
service fee for the
00:47:25.119 --> 00:47:26.320
processing of the car.
00:47:27.681 --> 00:47:28.882
So, yeah, I mean,
00:47:28.981 --> 00:47:30.083
it's just and you can you
00:47:30.103 --> 00:47:31.063
can get them online.
00:47:31.585 --> 00:47:32.545
You can get them at the door.
00:47:32.565 --> 00:47:34.186
This is a general admission show.
00:47:34.327 --> 00:47:34.547
Mm hmm.
00:47:35.427 --> 00:47:36.387
Let me go ahead and tell you,
00:47:36.407 --> 00:47:37.708
there are a couple of
00:47:37.748 --> 00:47:39.371
places that the organ geeks
00:47:39.411 --> 00:47:41.012
will run to immediately.
00:47:42.092 --> 00:47:43.193
And those are their seats.
00:47:43.233 --> 00:47:44.614
So don't even don't even get in their way.
00:47:46.663 --> 00:47:48.043
They will hit you.
00:47:48.324 --> 00:47:50.224
They will bash you with an oxygen tank.
00:47:50.244 --> 00:47:55.806
And just let them have the
00:47:55.846 --> 00:47:58.766
first balcony row E and F. That's theirs.
00:47:59.347 --> 00:48:00.148
Because that's where the
00:48:00.208 --> 00:48:01.288
organ speaks the best.
00:48:02.947 --> 00:48:04.909
And then you've got the ones
00:48:04.929 --> 00:48:06.208
that don't like to climb the stairs.
00:48:06.228 --> 00:48:08.190
They'll be in rows, you know,
00:48:08.230 --> 00:48:10.411
JKL on the main floor center.
00:48:11.510 --> 00:48:12.972
Also a great place to see the film.
00:48:12.992 --> 00:48:13.132
Yeah.
00:48:15.489 --> 00:48:17.532
Now everybody clamors in for those seats.
00:48:18.291 --> 00:48:19.873
I've seen so many things there.
00:48:19.932 --> 00:48:23.213
It's hard to find a bad seat.
00:48:23.675 --> 00:48:26.516
It really is.
00:48:26.536 --> 00:48:27.536
This is general admission.
00:48:29.077 --> 00:48:30.157
It would be lovely if we
00:48:30.898 --> 00:48:31.659
were going to sell out,
00:48:31.679 --> 00:48:32.940
but it's not going to sell out.
00:48:33.019 --> 00:48:34.920
You can get tickets in advance.
00:48:34.940 --> 00:48:36.641
You can get them at the door.
00:48:36.681 --> 00:48:38.382
We're just happy to have the
00:48:38.422 --> 00:48:39.563
love and the support that
00:48:39.603 --> 00:48:40.402
everyone comes in.
00:48:40.422 --> 00:48:40.603
We have
00:48:42.835 --> 00:48:44.418
at at forty five years I I
00:48:44.438 --> 00:48:45.639
know there are at least
00:48:45.679 --> 00:48:46.639
half a dozen people that
00:48:46.681 --> 00:48:47.762
have been there every
00:48:47.822 --> 00:48:50.425
single year wow uh and they
00:48:50.445 --> 00:48:52.007
just you know they keep
00:48:52.586 --> 00:48:54.048
back back back and they're
00:48:54.068 --> 00:48:55.510
like me it's fresh every
00:48:55.550 --> 00:48:56.871
time you know the story
00:48:57.413 --> 00:49:00.115
that uh the score is fresh every time and
00:49:01.485 --> 00:49:02.344
As a fundraiser,
00:49:02.606 --> 00:49:03.126
I couldn't think of
00:49:03.166 --> 00:49:03.827
anything that we could
00:49:03.867 --> 00:49:05.088
possibly be doing better to
00:49:05.128 --> 00:49:07.530
showcase what the organ was
00:49:07.570 --> 00:49:09.032
originally built to do.
00:49:09.793 --> 00:49:12.936
It's just the perfect marriage and match.
00:49:13.016 --> 00:49:13.195
Yeah.
00:49:13.235 --> 00:49:14.876
The ambiance, the environment,
00:49:14.958 --> 00:49:16.699
everything just sitting there, you know,
00:49:16.838 --> 00:49:17.719
being able to sit there and
00:49:17.760 --> 00:49:19.621
watch that with everything going around.
00:49:19.681 --> 00:49:21.364
It's just, it's absolutely perfect.
00:49:21.423 --> 00:49:21.543
Yeah.
00:49:21.784 --> 00:49:24.186
You just hit something, Jess,
00:49:25.188 --> 00:49:27.050
and that is the Alabama is
00:49:27.090 --> 00:49:28.092
a magical place.
00:49:28.692 --> 00:49:30.655
And with a little bit of altered lighting,
00:49:30.715 --> 00:49:33.518
you can go from charming,
00:49:34.039 --> 00:49:36.300
from castle-like,
00:49:36.681 --> 00:49:38.623
to very creepy very quickly.
00:49:39.704 --> 00:49:41.086
And that's why we're so excited.
00:49:43.586 --> 00:49:44.487
that we've got some new
00:49:44.507 --> 00:49:45.307
lighting features this year
00:49:45.327 --> 00:49:46.108
that are going to be spectacular.
00:49:46.128 --> 00:49:46.307
Yeah.
00:49:48.527 --> 00:49:49.628
It may be really impressive, too,
00:49:49.668 --> 00:49:50.409
because like you said,
00:49:51.628 --> 00:49:52.489
you were going to make sure
00:49:52.528 --> 00:49:54.048
that the lighting director
00:49:54.108 --> 00:49:57.409
was very happy when you had
00:49:57.429 --> 00:49:58.090
the performance.
00:50:00.070 --> 00:50:01.331
Your charity, take this.
00:50:03.911 --> 00:50:05.472
It may or may not be Tito's vodka.
00:50:05.492 --> 00:50:08.192
We don't know.
00:50:08.211 --> 00:50:09.972
Could be.
00:50:10.012 --> 00:50:10.893
Could be another eyeball.
00:50:10.932 --> 00:50:10.992
Yay.
00:50:13.523 --> 00:50:13.684
Well,
00:50:13.744 --> 00:50:15.965
since you're not playing the organ
00:50:16.005 --> 00:50:16.786
during the film,
00:50:16.826 --> 00:50:17.786
what are you doing while
00:50:18.067 --> 00:50:18.646
the movie's going on?
00:50:18.666 --> 00:50:20.748
Okay, so that's a great question.
00:50:20.788 --> 00:50:21.068
Thanks.
00:50:22.309 --> 00:50:25.851
So I will come out and do the intro.
00:50:26.971 --> 00:50:29.833
And that is, first of all,
00:50:30.092 --> 00:50:31.994
I truly will make sure
00:50:32.074 --> 00:50:33.355
everyone understands this
00:50:33.394 --> 00:50:34.735
is not a Broadway musical.
00:50:35.576 --> 00:50:38.617
And then I will ask everyone
00:50:38.697 --> 00:50:40.059
to please take their seats
00:50:40.278 --> 00:50:43.860
and for the entrance of the
00:50:43.960 --> 00:50:45.742
pallbearers to please stay seated.
00:50:45.782 --> 00:50:47.063
If you're in the upper balcony,
00:50:47.382 --> 00:50:48.282
just give it a moment.
00:50:48.563 --> 00:50:50.744
Once they clear that edge of the balcony,
00:50:50.784 --> 00:50:51.905
you'll be able to see what's going on.
00:50:52.146 --> 00:50:52.885
And then everything else
00:50:52.905 --> 00:50:54.186
takes place on stage.
00:50:54.666 --> 00:50:58.349
Uh, so what happens is, is, uh, I'll,
00:50:58.510 --> 00:51:00.771
I'll go out, do that little spiel,
00:51:01.331 --> 00:51:02.552
step off stage.
00:51:02.954 --> 00:51:05.215
And I am at the bar.
00:51:05.436 --> 00:51:06.856
Nice.
00:51:06.876 --> 00:51:08.978
Working or otherwise.
00:51:09.039 --> 00:51:10.619
No, otherwise.
00:51:10.679 --> 00:51:11.340
He says, yes.
00:51:12.942 --> 00:51:13.681
Where do you think the
00:51:13.702 --> 00:51:14.862
glitzy devil comes from?
00:51:15.344 --> 00:51:16.585
I got to get started, baby.
00:51:18.606 --> 00:51:20.086
No, so I'll, um,
00:51:22.193 --> 00:51:24.695
Everybody's done this so many times.
00:51:25.375 --> 00:51:26.635
We have a wonderful crew,
00:51:26.655 --> 00:51:28.056
a wonderful set of volunteers,
00:51:28.838 --> 00:51:30.039
and they all know their part.
00:51:30.059 --> 00:51:31.239
They all know their position.
00:51:32.239 --> 00:51:33.221
Helms is magic,
00:51:33.280 --> 00:51:36.163
so I don't worry about him.
00:51:38.063 --> 00:51:39.885
Once that first thing gets on the screen,
00:51:39.985 --> 00:51:40.286
actually,
00:51:40.465 --> 00:51:42.306
I actually really run to the
00:51:42.327 --> 00:51:43.148
booth because there's a
00:51:43.288 --> 00:51:44.628
queue at the very beginning.
00:51:45.827 --> 00:51:48.110
And the stagehands,
00:51:48.990 --> 00:51:50.010
they're waiting for that cue.
00:51:50.052 --> 00:51:51.512
And then once I've done that cue,
00:51:51.652 --> 00:51:56.157
then I'm off to Tito's land.
00:51:56.197 --> 00:51:57.659
Concessions, concessions.
00:51:59.280 --> 00:52:00.742
Concessions, concessions.
00:52:00.802 --> 00:52:02.043
And then I really actually
00:52:02.063 --> 00:52:03.123
will go up there and grab a
00:52:03.164 --> 00:52:04.505
cocktail and go in and sit
00:52:04.545 --> 00:52:05.465
and watch the whole show.
00:52:06.226 --> 00:52:08.306
darn thing good there you go
00:52:08.327 --> 00:52:09.288
I'm glad you get a chance
00:52:09.447 --> 00:52:10.407
you get a chance to sit
00:52:10.427 --> 00:52:12.048
back and watch it it is the
00:52:12.289 --> 00:52:14.110
the one show a year that I
00:52:14.150 --> 00:52:15.451
do not schedule myself on
00:52:15.490 --> 00:52:16.572
the floor it is the one
00:52:16.592 --> 00:52:17.492
show a year that I
00:52:17.632 --> 00:52:19.632
absolutely go in and sit
00:52:19.733 --> 00:52:21.313
and watch it's kind of
00:52:21.414 --> 00:52:22.914
awesome it's phenomenal
00:52:23.175 --> 00:52:23.914
It takes you back to the
00:52:23.934 --> 00:52:24.715
reason why you fell in love
00:52:24.735 --> 00:52:25.476
with that voice, right?
00:52:25.655 --> 00:52:26.717
It is the whole reason.
00:52:26.797 --> 00:52:29.318
And I promise you, don't sit near me.
00:52:29.478 --> 00:52:29.737
Don't.
00:52:30.599 --> 00:52:33.099
Well, that tells me even more.
00:52:33.360 --> 00:52:34.740
Because he doesn't tell any
00:52:34.800 --> 00:52:36.001
of us how long he's been at
00:52:36.021 --> 00:52:41.824
the bar at that point.
00:52:42.264 --> 00:52:43.726
I still will laugh.
00:52:44.326 --> 00:52:46.228
at during this film I I
00:52:46.507 --> 00:52:48.570
still literally will cry at
00:52:48.690 --> 00:52:49.871
one point during this film
00:52:49.891 --> 00:52:51.012
it is very moving and very
00:52:51.072 --> 00:52:54.273
touching and and I I just
00:52:54.313 --> 00:52:55.655
it's very emotional for me
00:52:55.695 --> 00:52:57.777
because it it represents so
00:52:57.797 --> 00:52:59.998
many things in my life the
00:53:00.139 --> 00:53:01.300
origin of the film the
00:53:01.519 --> 00:53:02.981
organ itself the theater
00:53:03.041 --> 00:53:04.402
itself why we're doing it
00:53:04.422 --> 00:53:06.244
um you know and I'm
00:53:07.731 --> 00:53:08.692
Right before I go on,
00:53:09.012 --> 00:53:11.713
I'm on the phone with the ticket booth.
00:53:12.713 --> 00:53:13.355
What's our ticket count?
00:53:13.394 --> 00:53:14.155
What's our ticket count?
00:53:14.175 --> 00:53:15.797
Of course,
00:53:18.478 --> 00:53:20.699
we have a break-even point for
00:53:20.739 --> 00:53:21.701
producing the show.
00:53:21.800 --> 00:53:22.820
As soon as we hit that,
00:53:23.141 --> 00:53:25.422
I am three fingers into the gin.
00:53:25.463 --> 00:53:28.085
Gary,
00:53:28.105 --> 00:53:29.766
do you have your own private booth
00:53:29.806 --> 00:53:30.447
like the Phantom?
00:53:31.487 --> 00:53:31.686
No.
00:53:38.521 --> 00:53:43.362
In the film, it's box five.
00:53:43.402 --> 00:53:43.822
Box five.
00:53:43.862 --> 00:53:44.902
And the new owners of the
00:53:44.943 --> 00:53:48.483
theater go and they go,
00:53:48.523 --> 00:53:50.143
who occupies box five?
00:53:50.184 --> 00:53:51.164
And the attendant,
00:53:52.385 --> 00:53:54.666
you can see it in French
00:53:54.726 --> 00:53:56.106
and I unfortunately can't do it.
00:53:56.126 --> 00:53:57.545
She just goes, I do not know.
00:53:57.885 --> 00:53:58.666
She knows.
00:53:58.686 --> 00:53:58.907
Okay.
00:54:00.786 --> 00:54:02.688
so she's like no no no don't
00:54:02.728 --> 00:54:06.248
go in there don't that guy
00:54:06.268 --> 00:54:07.409
will kill you don't go in
00:54:07.449 --> 00:54:13.510
there that is one thing I'm
00:54:13.550 --> 00:54:15.971
trying to think now um what
00:54:16.010 --> 00:54:17.570
the murder count is in this
00:54:17.610 --> 00:54:20.231
film uh because it's not
00:54:20.532 --> 00:54:22.512
low but it's not you know a
00:54:22.572 --> 00:54:24.012
massacre it's just it's you
00:54:24.032 --> 00:54:24.992
know onesie here and there
00:54:26.574 --> 00:54:28.195
yeah just sprinkled around
00:54:28.576 --> 00:54:29.416
yeah it's not texas
00:54:29.456 --> 00:54:30.657
chainsaw massacre but it's
00:54:30.717 --> 00:54:34.157
kind of close and it's it's
00:54:34.318 --> 00:54:35.858
it's never a scene murder
00:54:35.898 --> 00:54:37.420
it's an implied murder yeah
00:54:37.440 --> 00:54:39.860
yeah that's that's that's
00:54:39.900 --> 00:54:40.900
why I kind of steer away
00:54:40.940 --> 00:54:42.121
from trying to classify
00:54:42.161 --> 00:54:43.382
this as horror because
00:54:43.422 --> 00:54:44.882
there's not a lot of you
00:54:44.922 --> 00:54:45.623
know where there is no
00:54:45.922 --> 00:54:47.324
blood and guts and gore and
00:54:47.864 --> 00:54:50.385
no no visible murder just a lot of
00:54:51.623 --> 00:54:53.304
sad people well when it's
00:54:53.425 --> 00:54:54.865
when it's told correctly
00:54:54.905 --> 00:54:56.367
and it's told well you know
00:54:56.407 --> 00:54:57.708
you don't have to have that
00:54:57.728 --> 00:54:59.389
right yeah it can be
00:54:59.429 --> 00:55:00.570
implied and you're like oh
00:55:00.590 --> 00:55:03.833
no that person's dead oh no
00:55:03.853 --> 00:55:06.835
you know they did um they
00:55:06.855 --> 00:55:07.494
have or I'm sorry we're
00:55:07.514 --> 00:55:08.155
youtube they've been
00:55:08.235 --> 00:55:09.496
unalived I'm sorry I guess
00:55:10.036 --> 00:55:11.157
they have been unalived
00:55:12.898 --> 00:55:13.639
kevin that was you know
00:55:13.659 --> 00:55:15.280
that was hitchcock's greatest
00:55:16.300 --> 00:55:18.664
uh card that he would play
00:55:18.724 --> 00:55:20.847
is so much of his uh
00:55:21.148 --> 00:55:22.331
meaning was implied you
00:55:22.371 --> 00:55:24.032
never saw this or you never
00:55:24.132 --> 00:55:26.056
saw that you you knew yeah
00:55:26.936 --> 00:55:27.818
and in this film it's the
00:55:27.858 --> 00:55:28.780
same things very very
00:55:28.820 --> 00:55:30.543
clever very clever uh
00:55:35.188 --> 00:55:37.070
Maybe a little bubble in the water.
00:55:37.090 --> 00:55:37.369
Yes.
00:55:37.389 --> 00:55:37.449
Yes.
00:55:37.469 --> 00:55:38.451
Man, I'm looking forward to it.
00:55:38.490 --> 00:55:38.911
Honestly,
00:55:39.170 --> 00:55:40.592
I saw that Brock and Jess were
00:55:40.612 --> 00:55:41.413
going to it, and I was like,
00:55:41.432 --> 00:55:42.132
I'm going to wait, Tom.
00:55:42.213 --> 00:55:43.735
I want to hear Gary talk
00:55:43.755 --> 00:55:45.376
about it a little bit before I decide.
00:55:45.416 --> 00:55:46.135
And then, you know,
00:55:46.155 --> 00:55:46.797
you're talking about it,
00:55:46.817 --> 00:55:47.416
and I'm like sitting here
00:55:47.797 --> 00:55:49.237
texting with my person, and I'm like,
00:55:51.079 --> 00:55:52.460
number one, it's not a horror movie.
00:55:52.940 --> 00:55:54.242
I know it says it on the website,
00:55:54.322 --> 00:55:55.762
and Gary's going to get that fixed.
00:55:55.782 --> 00:55:58.465
But...
00:56:02.367 --> 00:56:04.188
So I do always make this offer.
00:56:05.268 --> 00:56:07.269
I tell people, come,
00:56:07.911 --> 00:56:08.851
stay for the whole thing.
00:56:08.951 --> 00:56:10.012
And at the end,
00:56:10.052 --> 00:56:12.634
if you absolutely positively hated it,
00:56:13.333 --> 00:56:14.514
I'll give you your money back,
00:56:14.675 --> 00:56:15.695
which we never do.
00:56:15.715 --> 00:56:17.657
But I'll take it out of my pocket.
00:56:17.956 --> 00:56:19.057
And I make that offer
00:56:19.097 --> 00:56:21.679
because I guarantee you,
00:56:21.759 --> 00:56:22.760
if you watch this thing
00:56:22.780 --> 00:56:23.840
from beginning to end,
00:56:24.701 --> 00:56:25.320
you're going to fall in
00:56:25.360 --> 00:56:26.802
love with it and I'll see you next year.
00:56:27.242 --> 00:56:29.344
So for the hundredth.
00:56:30.003 --> 00:56:30.463
Yeah.
00:56:30.505 --> 00:56:31.284
So, yeah.
00:56:32.452 --> 00:56:32.771
Yep.
00:56:32.811 --> 00:56:33.572
Mitchell Brinkley.
00:56:33.612 --> 00:56:34.092
Hey, Mitchell.
00:56:34.672 --> 00:56:35.693
Says the best horror
00:56:35.713 --> 00:56:36.612
suspense movies are the
00:56:36.773 --> 00:56:37.532
ones where they let your
00:56:37.552 --> 00:56:39.074
mind fill in the bad parts.
00:56:39.094 --> 00:56:39.233
Yes.
00:56:39.954 --> 00:56:40.494
Exactly.
00:56:40.693 --> 00:56:42.074
Exactly.
00:56:42.235 --> 00:56:43.675
Your brain is the best
00:56:43.855 --> 00:56:45.155
screen that you have,
00:56:45.175 --> 00:56:47.155
and it fills in those bad parts.
00:56:47.175 --> 00:56:49.597
You know what just happened to that guy.
00:56:49.737 --> 00:56:50.416
He's unalived.
00:56:50.436 --> 00:56:51.137
Yeah.
00:56:51.677 --> 00:56:51.876
Right.
00:56:52.197 --> 00:56:53.036
Yeah, more often than not,
00:56:53.056 --> 00:56:53.896
when you get a movie where
00:56:53.916 --> 00:56:54.998
they just spoon feed you,
00:56:55.097 --> 00:56:56.217
like a lot of modern movies,
00:56:56.257 --> 00:56:57.117
they'll just spoon feed you
00:56:57.237 --> 00:56:58.617
everything and tell you
00:56:58.878 --> 00:56:59.679
every single thing.
00:57:01.398 --> 00:57:02.838
When you just trust the
00:57:02.898 --> 00:57:04.759
intelligence of the people watching it,
00:57:05.099 --> 00:57:05.960
and you can actually write
00:57:06.000 --> 00:57:06.800
the story to the point
00:57:06.840 --> 00:57:08.460
where there is no way
00:57:08.940 --> 00:57:10.480
anybody could mistake this.
00:57:10.500 --> 00:57:12.300
Exactly.
00:57:12.340 --> 00:57:13.420
That's just good writing,
00:57:13.481 --> 00:57:14.960
and it's also trusting the audience, too.
00:57:14.981 --> 00:57:15.141
Yeah.
00:57:15.641 --> 00:57:18.882
Trust the people.
00:57:21.061 --> 00:57:21.561
And I'll see you.
00:57:21.601 --> 00:57:22.505
Hey, hey, Mitchell.
00:57:23.025 --> 00:57:23.327
Hey.
00:57:23.367 --> 00:57:23.527
Yep.
00:57:24.409 --> 00:57:24.869
Hey, y'all.
00:57:25.672 --> 00:57:26.172
And by the way.
00:57:26.193 --> 00:57:26.594
Hey.
00:57:30.981 --> 00:57:31.262
It's all good.
00:57:31.282 --> 00:57:32.262
I brought up here, you mind if I share,
00:57:32.282 --> 00:57:32.563
Brock?
00:57:32.603 --> 00:57:34.184
He was talking about their website.
00:57:34.204 --> 00:57:36.085
That's what I say.
00:57:36.106 --> 00:57:37.606
Their beautiful website here for you.
00:57:37.626 --> 00:57:38.188
He was talking about the
00:57:38.248 --> 00:57:40.208
alabama.com theater slash events.
00:57:40.228 --> 00:57:41.710
And this is the particular one itself.
00:57:42.070 --> 00:57:43.291
Like I said, he's got it here.
00:57:43.311 --> 00:57:45.213
He got you where you can buy your tickets,
00:57:45.313 --> 00:57:46.054
plan your visit.
00:57:47.074 --> 00:57:50.898
He's got a wonderful designed, I guess,
00:57:51.097 --> 00:57:52.398
a poster marquee type thing.
00:57:55.039 --> 00:57:55.300
There you go.
00:57:55.320 --> 00:57:56.460
See what else is correct on there.
00:57:58.702 --> 00:57:58.882
Oh, yeah.
00:57:58.902 --> 00:57:59.101
No, no, no.
00:57:59.121 --> 00:57:59.481
Scroll down.
00:57:59.501 --> 00:58:00.762
Scroll down just a little bit more.
00:58:00.902 --> 00:58:01.302
Right there.
00:58:01.663 --> 00:58:02.784
Film synopsis.
00:58:02.824 --> 00:58:03.983
The Phantom of the Opera.
00:58:05.224 --> 00:58:05.684
Unrated.
00:58:06.326 --> 00:58:06.786
Horror.
00:58:07.246 --> 00:58:07.726
Right there.
00:58:08.126 --> 00:58:08.367
Boom.
00:58:08.447 --> 00:58:08.786
Well,
00:58:10.608 --> 00:58:12.307
obviously someone copied that off of
00:58:12.528 --> 00:58:13.168
IMDb.
00:58:15.690 --> 00:58:15.949
Of course,
00:58:16.130 --> 00:58:17.190
we need the information if
00:58:17.210 --> 00:58:18.572
you've ever been to the area before.
00:58:18.751 --> 00:58:21.413
It's at two o'clock in the afternoon.
00:58:22.418 --> 00:58:23.820
Yes, it is.
00:58:23.920 --> 00:58:25.041
Doors will open at one.
00:58:25.902 --> 00:58:27.043
Go ahead and get there early.
00:58:29.467 --> 00:58:30.909
find your seat that you want, then,
00:58:31.088 --> 00:58:32.731
you know, meander around the theater.
00:58:32.751 --> 00:58:35.532
There'll be some ghouls hiding out,
00:58:36.132 --> 00:58:38.936
hoping to scare unassuming patrons.
00:58:40.637 --> 00:58:41.757
Concessions will be open
00:58:41.918 --> 00:58:43.059
when the doors open at one.
00:58:46.661 --> 00:58:48.083
And this really, I mean,
00:58:48.242 --> 00:58:50.625
I wouldn't bring a three-year-old to this,
00:58:50.664 --> 00:58:51.385
but this is really
00:58:51.445 --> 00:58:52.586
something the whole family...
00:58:54.583 --> 00:58:56.664
I've seen people bring infants to Deadpool,
00:58:56.864 --> 00:58:57.344
okay?
00:59:02.128 --> 00:59:06.411
We had little bitty toddlers at Die Hard,
00:59:07.072 --> 00:59:09.875
and from the console, I was like, okay,
00:59:09.954 --> 00:59:11.016
I need to make a public
00:59:11.036 --> 00:59:11.735
service announcement to
00:59:11.755 --> 00:59:13.958
those of you with young children,
00:59:14.898 --> 00:59:15.880
and if you're okay with this,
00:59:16.079 --> 00:59:16.880
I'm okay with this.
00:59:16.900 --> 00:59:18.001
Yippee-ki-yay.
00:59:18.021 --> 00:59:18.300
Yippee-ki-yay.
00:59:22.914 --> 00:59:25.255
This is Bruce Willis' break into action.
00:59:27.155 --> 00:59:28.597
This is not Bruce Willis the
00:59:28.677 --> 00:59:30.617
soap star or whatever he was before that.
00:59:30.838 --> 00:59:33.518
This is Bruce Willis dropping the F-bombs.
00:59:35.119 --> 00:59:35.579
A lot.
00:59:39.742 --> 00:59:40.202
Oh, man.
00:59:40.302 --> 00:59:41.682
I can't wait for that again this year.
00:59:42.202 --> 00:59:43.804
We're doing it this year, right?
00:59:44.123 --> 00:59:44.784
Yes, we are.
00:59:44.963 --> 00:59:49.126
We don't want to get too far ahead.
00:59:49.166 --> 00:59:51.746
But now just remember, in May,
00:59:52.688 --> 00:59:53.927
Lowe's and Kevin are
00:59:53.947 --> 00:59:55.748
putting out Halloween decorations.
00:59:55.929 --> 01:00:05.072
So I feel like it was a compliment.
01:00:05.333 --> 01:00:06.893
So in September,
01:00:06.954 --> 01:00:07.773
I can talk a little bit
01:00:07.813 --> 01:00:09.454
about the holiday film series,
01:00:09.514 --> 01:00:11.135
which we will be announcing shortly.
01:00:11.454 --> 01:00:13.175
Our biggest issue right now
01:00:13.235 --> 01:00:16.257
is used in the pre-COVID world,
01:00:16.956 --> 01:00:19.478
the studios and the
01:00:19.518 --> 01:00:21.298
licensing agents would
01:00:21.438 --> 01:00:24.079
allow you to call in February and say,
01:00:24.099 --> 01:00:24.340
hey,
01:00:24.360 --> 01:00:25.960
we want to show White Christmas on
01:00:27.661 --> 01:00:28.442
December third.
01:00:28.481 --> 01:00:29.661
And they'd be like, oh, sure, fine,
01:00:29.842 --> 01:00:30.181
book it.
01:00:31.043 --> 01:00:34.224
Now, in today's world, we can't.
01:00:35.168 --> 01:00:37.688
book officially a movie
01:00:37.929 --> 01:00:40.809
until the quarter that it's being shown.
01:00:41.489 --> 01:00:44.530
So we won't get confirmation
01:00:44.652 --> 01:00:48.293
for our Christmas lineup until seriously,
01:00:48.353 --> 01:00:49.952
literally October first.
01:00:50.594 --> 01:00:54.014
So very, very end of September, very,
01:00:54.054 --> 01:00:55.074
very first of October is
01:00:55.114 --> 01:00:55.996
when we'll announce the
01:00:56.016 --> 01:00:57.135
holiday film series.
01:00:58.436 --> 01:01:00.416
I can assure you Die Hard is
01:01:01.398 --> 01:01:02.057
on the docket.
01:01:04.494 --> 01:01:06.498
If they deny Die Hard, we riot.
01:01:09.282 --> 01:01:09.965
Especially with the crowd
01:01:09.985 --> 01:01:10.746
they had last year.
01:01:10.826 --> 01:01:11.527
Oh my gosh.
01:01:13.715 --> 01:01:14.775
We will get there early.
01:01:15.556 --> 01:01:16.755
Okay.
01:01:16.815 --> 01:01:17.757
Let's just talk about that
01:01:17.797 --> 01:01:18.476
for half a second.
01:01:18.496 --> 01:01:18.577
Okay.
01:01:18.597 --> 01:01:19.317
Let's do it.
01:01:20.318 --> 01:01:20.597
Yes.
01:01:21.237 --> 01:01:23.458
This is turning into the Die Hard episode.
01:01:23.478 --> 01:01:24.400
This is the Die Hard episode.
01:01:24.940 --> 01:01:26.721
Number one, the late,
01:01:26.740 --> 01:01:29.661
great Cecil Whitmire would be just like,
01:01:29.702 --> 01:01:31.101
if they denied it, he would just be like,
01:01:31.563 --> 01:01:32.402
well, we're going to show it.
01:01:32.422 --> 01:01:33.023
What are they going to do?
01:01:33.083 --> 01:01:34.023
Come down to Birmingham and...
01:01:36.181 --> 01:01:37.021
haul us to prison.
01:01:37.422 --> 01:01:38.023
And I think, you know,
01:01:38.043 --> 01:01:41.045
maybe today they would, uh, but, uh,
01:01:41.065 --> 01:01:42.507
he was definitely of the,
01:01:42.606 --> 01:01:43.967
let's ask forgiveness
01:01:44.007 --> 01:01:46.070
rather than permission mindset.
01:01:46.369 --> 01:01:47.351
Um, our current,
01:01:47.411 --> 01:01:49.132
our current management plays by the book.
01:01:49.393 --> 01:01:51.976
So we would, we would have an issue.
01:01:52.416 --> 01:01:54.838
Uh, the very first year we showed Die Hard,
01:01:55.518 --> 01:01:55.599
um,
01:01:57.751 --> 01:01:59.534
I think, you know,
01:02:00.715 --> 01:02:01.737
you're showing a movie up
01:02:01.777 --> 01:02:02.557
against things like
01:02:02.577 --> 01:02:03.818
Christmas Vacation and Elf
01:02:03.838 --> 01:02:05.300
where you're selling out a
01:02:05.360 --> 01:02:06.501
full house every show.
01:02:07.222 --> 01:02:08.844
And the very first year,
01:02:09.045 --> 01:02:12.429
Die Hard was at maybe a
01:02:12.449 --> 01:02:14.971
little over half a house sold.
01:02:15.132 --> 01:02:15.411
Mm-hmm.
01:02:15.789 --> 01:02:19.351
And our then business manager was like,
01:02:19.391 --> 01:02:21.153
see, I told you this is not going to fly.
01:02:23.556 --> 01:02:24.916
Negative fancy.
01:02:25.836 --> 01:02:28.840
So the bar tab that night.
01:02:31.942 --> 01:02:32.041
Right.
01:02:32.061 --> 01:02:33.364
It's always the concessions.
01:02:33.983 --> 01:02:35.065
It's always concessions.
01:02:35.085 --> 01:02:36.686
The bar tab was like three
01:02:36.726 --> 01:02:38.248
sold out Christmas vacations.
01:02:39.387 --> 01:02:41.510
And when I turned in the
01:02:41.550 --> 01:02:42.550
numbers the next day,
01:02:43.978 --> 01:02:46.980
I mean, she just, it's just like,
01:02:47.039 --> 01:02:48.139
I'm going to go change clothes now.
01:02:48.159 --> 01:02:52.501
Do you remember driving Miss
01:02:52.521 --> 01:02:53.681
Daisy when Hoke shows back
01:02:53.701 --> 01:02:54.721
up with a can of salmon?
01:02:56.601 --> 01:02:57.362
That's what she did.
01:03:00.242 --> 01:03:00.603
Wow.
01:03:01.222 --> 01:03:02.543
I love it.
01:03:02.583 --> 01:03:04.403
So that's why Die Hard has,
01:03:04.463 --> 01:03:05.804
since that first time,
01:03:05.844 --> 01:03:07.364
has been on our Christmas
01:03:07.403 --> 01:03:08.905
docket every year.
01:03:08.945 --> 01:03:09.764
Because A, it's...
01:03:11.125 --> 01:03:12.126
It's better than Rudolph.
01:03:12.146 --> 01:03:12.427
Come on.
01:03:13.007 --> 01:03:15.570
And it's certainly a
01:03:15.610 --> 01:03:17.992
different shifting gears
01:03:18.092 --> 01:03:21.436
from all the white Christmas.
01:03:23.838 --> 01:03:26.420
It's the quintessential nineties,
01:03:27.181 --> 01:03:28.202
like macho,
01:03:29.003 --> 01:03:31.105
but still quirky holiday movie.
01:03:31.485 --> 01:03:31.925
And then, you know,
01:03:31.945 --> 01:03:32.867
of course we had Alan
01:03:32.907 --> 01:03:34.528
Rickman and Alan Rickman's past.
01:03:34.588 --> 01:03:34.789
Right.
01:03:35.128 --> 01:03:36.750
And now, you know, Bruce Willis, you know,
01:03:36.769 --> 01:03:38.349
we love him, but he's not doing well.
01:03:38.809 --> 01:03:40.751
So you're, you're,
01:03:40.771 --> 01:03:42.010
we don't know how long that'll be.
01:03:42.451 --> 01:03:43.992
So we'll have that as well.
01:03:44.032 --> 01:03:44.452
So, I mean,
01:03:44.472 --> 01:03:45.351
the movie is just going to keep
01:03:45.391 --> 01:03:46.371
getting more and more popular.
01:03:48.552 --> 01:03:49.592
You see where you're at,
01:03:49.853 --> 01:03:50.853
where you're at today
01:03:50.913 --> 01:03:52.293
versus where you started at.
01:03:52.333 --> 01:03:53.454
Look at what's changed.
01:03:53.614 --> 01:03:55.454
Like I said, this last year, it was,
01:03:55.695 --> 01:03:57.135
we were like, Oh, we can get there.
01:03:57.155 --> 01:03:57.954
We'll be fine.
01:03:58.916 --> 01:03:59.536
Whoa.
01:03:59.556 --> 01:04:01.275
That was a massive lie.
01:04:02.036 --> 01:04:03.396
So we had, um,
01:04:04.336 --> 01:04:05.057
This past year,
01:04:05.177 --> 01:04:06.860
we had seventeen tickets
01:04:06.900 --> 01:04:09.461
left to sell out.
01:04:10.023 --> 01:04:11.103
And I almost went to the box
01:04:11.164 --> 01:04:12.025
office and bought the
01:04:12.085 --> 01:04:13.186
seventeen tickets so we
01:04:13.226 --> 01:04:14.065
could say we sold out.
01:04:14.085 --> 01:04:16.327
But, you know,
01:04:16.469 --> 01:04:17.650
I only make a dollar eighty
01:04:17.670 --> 01:04:18.630
three an hour and all the
01:04:18.670 --> 01:04:19.751
popcorn I can steal.
01:04:19.811 --> 01:04:22.773
So I just let that go.
01:04:22.793 --> 01:04:23.735
They don't even give you a
01:04:23.775 --> 01:04:24.655
free tab at the bar.
01:04:27.097 --> 01:04:31.059
What bar?
01:04:31.119 --> 01:04:31.260
No,
01:04:31.400 --> 01:04:34.260
so I think that is a true testament to
01:04:34.300 --> 01:04:35.780
the best Christmas movie ever.
01:04:35.900 --> 01:04:38.541
Die Hard is the cool uncle
01:04:38.561 --> 01:04:39.262
Christmas movie.
01:04:39.702 --> 01:04:41.983
It's the cool uncle Christmas movie.
01:04:42.003 --> 01:04:45.824
That's a really good way of describing it.
01:04:45.844 --> 01:04:45.903
Yes.
01:04:45.963 --> 01:04:47.065
And it's not a horror film.
01:04:47.824 --> 01:04:50.266
Well, well, and I used to watch Die Hard,
01:04:50.306 --> 01:04:51.467
like I would make a habit
01:04:51.527 --> 01:04:52.748
of it just watching it at the house.
01:04:52.768 --> 01:04:54.710
But now I don't do that.
01:04:54.871 --> 01:04:55.992
I come to the theater and
01:04:56.032 --> 01:04:57.592
see it because it's a much
01:04:57.632 --> 01:04:59.974
better that that movie is
01:05:00.396 --> 01:05:01.617
fifteen times better.
01:05:02.135 --> 01:05:02.936
If you see it with other
01:05:02.956 --> 01:05:05.697
people that movies are made for a crowd.
01:05:06.038 --> 01:05:06.878
Cause it's like when you go
01:05:06.898 --> 01:05:08.998
to a sporting event and you're like,
01:05:09.139 --> 01:05:09.998
you're there and you just
01:05:10.059 --> 01:05:11.659
feel the energy of
01:05:11.739 --> 01:05:14.001
everybody there and everybody's root.
01:05:14.240 --> 01:05:15.422
It's almost like you get
01:05:15.442 --> 01:05:17.021
that exact same thing from
01:05:17.461 --> 01:05:19.643
a movie that's been out for this long,
01:05:19.902 --> 01:05:23.065
you know, the energy of the audience,
01:05:23.085 --> 01:05:24.125
the synergy that you've
01:05:24.164 --> 01:05:25.746
created with everyone else in the room.
01:05:25.766 --> 01:05:27.106
It, it, I mean, it,
01:05:28.867 --> 01:05:29.987
I love White Christmas.
01:05:30.148 --> 01:05:30.728
I do.
01:05:30.809 --> 01:05:32.630
That is my favorite film in
01:05:32.670 --> 01:05:33.172
the whole wide world.
01:05:33.192 --> 01:05:34.813
But it is not the same.
01:05:34.913 --> 01:05:35.994
I can watch White Christmas
01:05:36.014 --> 01:05:39.297
alone in July and be just
01:05:39.338 --> 01:05:40.297
perfectly happy.
01:05:40.858 --> 01:05:42.681
But seeing Die Hard with
01:05:42.721 --> 01:05:44.483
that two thousand people is
01:05:44.523 --> 01:05:46.043
just because everybody's
01:05:46.063 --> 01:05:47.525
just they're in the same
01:05:48.686 --> 01:05:48.847
boat.
01:05:48.867 --> 01:05:49.967
They're in the same place
01:05:50.728 --> 01:05:51.429
pushing it through.
01:05:51.449 --> 01:05:52.168
It's awesome.
01:05:52.188 --> 01:05:53.771
They are shouting out the lines.
01:05:53.791 --> 01:05:55.692
They are cheering when Hans falls.
01:05:57.253 --> 01:06:00.255
It's an experience too.
01:06:00.376 --> 01:06:01.436
It's much like what you're
01:06:01.456 --> 01:06:02.438
going in here with Phantom.
01:06:04.440 --> 01:06:05.280
Oh, yeah.
01:06:05.840 --> 01:06:06.822
Phantom is the same way.
01:06:07.663 --> 01:06:09.405
I can watch that at home and I'll be okay.
01:06:09.445 --> 01:06:11.786
But seeing it there with
01:06:11.806 --> 01:06:13.668
that audience and hearing
01:06:14.188 --> 01:06:15.630
an audience laugh with you
01:06:15.710 --> 01:06:19.074
and gasp with you and do this like...
01:06:20.159 --> 01:06:20.420
Yeah.
01:06:20.500 --> 01:06:21.320
All at the same time.
01:06:21.340 --> 01:06:22.460
It's just, you know.
01:06:22.521 --> 01:06:24.501
And of course, of course,
01:06:25.221 --> 01:06:27.442
the wallets are belting it out, too.
01:06:27.521 --> 01:06:28.641
I mean, that's just, you know.
01:06:29.682 --> 01:06:30.003
Yeah.
01:06:30.103 --> 01:06:30.302
Yes.
01:06:30.362 --> 01:06:30.563
Yes.
01:06:30.902 --> 01:06:31.063
Yes.
01:06:31.202 --> 01:06:34.264
And I always cleverly point out, too.
01:06:35.583 --> 01:06:37.045
And I said this earlier, and that is,
01:06:37.144 --> 01:06:37.304
you know,
01:06:37.324 --> 01:06:39.264
it's exactly what the organ was
01:06:39.304 --> 01:06:39.925
designed to do.
01:06:40.126 --> 01:06:43.326
But you have never heard the
01:06:43.425 --> 01:06:45.286
entire range of.
01:06:45.842 --> 01:06:47.262
of that organ from its very
01:06:47.302 --> 01:06:49.204
most quiet to its very most
01:06:49.244 --> 01:06:51.106
bombastic yeah as you will
01:06:51.146 --> 01:06:52.628
hear during this show it is
01:06:52.768 --> 01:06:54.929
it is the full circle it is
01:06:55.650 --> 01:06:57.713
he utilizes every single
01:06:57.753 --> 01:07:00.074
thing the organ the organ
01:07:00.094 --> 01:07:01.096
is its own character it's
01:07:01.135 --> 01:07:02.737
its own star yeah yeah it
01:07:02.777 --> 01:07:04.079
really is yeah it really is
01:07:04.139 --> 01:07:05.480
yeah well now you got me
01:07:05.500 --> 01:07:06.541
even more I can't get any
01:07:06.561 --> 01:07:07.702
more excited than this gary
01:07:07.782 --> 01:07:09.664
okay yeah you love that yeah
01:07:10.985 --> 01:07:11.244
Kevin,
01:07:11.284 --> 01:07:12.846
you talk about your love for the for
01:07:12.865 --> 01:07:13.246
the war.
01:07:13.306 --> 01:07:16.086
It's going to magnify.
01:07:16.306 --> 01:07:17.186
Well, the fact that, you know,
01:07:17.206 --> 01:07:18.967
we were in our we were just before this,
01:07:18.987 --> 01:07:20.867
we recorded our member exclusive episode.
01:07:20.907 --> 01:07:21.208
And, you know,
01:07:21.228 --> 01:07:22.427
Gary was talking about some
01:07:22.447 --> 01:07:24.088
of the restoration that was
01:07:24.148 --> 01:07:25.829
happening with Big Bertha.
01:07:25.869 --> 01:07:27.730
And, you know, it's going to be back.
01:07:28.597 --> 01:07:28.797
you know,
01:07:28.818 --> 01:07:30.280
hopefully you have the bugs
01:07:30.300 --> 01:07:31.101
worked out and everything,
01:07:31.121 --> 01:07:33.764
and it'll be back in full blast for this.
01:07:33.884 --> 01:07:34.824
And it hasn't been for a
01:07:34.844 --> 01:07:36.385
little while because it's been in repair.
01:07:36.806 --> 01:07:38.568
So that's going to be even better.
01:07:38.628 --> 01:07:39.208
It's like, you know,
01:07:39.329 --> 01:07:41.110
not only is it the full range of it,
01:07:41.152 --> 01:07:42.972
but it's with everything fully repaired,
01:07:43.293 --> 01:07:44.896
fully, fully restored.
01:07:45.615 --> 01:07:47.317
So the Bertha project is a
01:07:47.697 --> 01:07:49.376
three-phase project,
01:07:49.556 --> 01:07:51.478
and the return at the end
01:07:51.498 --> 01:07:52.898
of September will be the
01:07:52.938 --> 01:07:54.838
completion of phase two.
01:07:55.858 --> 01:07:57.760
Phase one was a complete
01:07:57.800 --> 01:07:59.800
reworking of the keyboards.
01:08:00.420 --> 01:08:02.061
There are four sets of keyboards,
01:08:02.701 --> 01:08:04.141
and all of those were
01:08:04.181 --> 01:08:05.061
completely reworked.
01:08:05.742 --> 01:08:07.963
reworked uh and she oh my
01:08:07.983 --> 01:08:09.224
goodness before she left
01:08:09.244 --> 01:08:12.407
she was it was playing was
01:08:12.427 --> 01:08:14.329
a dream it's just it's like
01:08:14.369 --> 01:08:15.331
eating a chocolate sundae
01:08:15.351 --> 01:08:18.673
you just ever wanted to
01:08:18.694 --> 01:08:20.274
stop and then phase two is
01:08:20.414 --> 01:08:22.796
is a very mechanical uh
01:08:22.817 --> 01:08:25.139
portion the uh the the rail
01:08:25.158 --> 01:08:26.320
that holds all the stop
01:08:26.341 --> 01:08:27.261
tabs that go up and down
01:08:27.320 --> 01:08:28.242
and control all the
01:08:28.261 --> 01:08:29.563
different things all of
01:08:29.603 --> 01:08:31.385
that is being reworked and uh the
01:08:32.375 --> 01:08:33.475
stop-action magnets are
01:08:33.515 --> 01:08:34.636
being replaced because
01:08:34.957 --> 01:08:36.658
after all these decades, they wear out.
01:08:37.719 --> 01:08:38.359
It's time.
01:08:38.418 --> 01:08:40.381
It's time to do that.
01:08:40.680 --> 01:08:41.502
And then there's some other
01:08:41.862 --> 01:08:43.182
console things and the
01:08:43.222 --> 01:08:45.064
platform itself and the railing,
01:08:45.505 --> 01:08:46.826
ornamental railing got redone.
01:08:47.345 --> 01:08:49.127
So it's mostly mechanical.
01:08:49.448 --> 01:08:51.189
And then phase three,
01:08:51.248 --> 01:08:55.032
we will do probably in
01:08:55.891 --> 01:08:57.233
twenty-five or twenty-six,
01:08:57.292 --> 01:08:58.134
approaching the one
01:08:58.173 --> 01:09:00.055
hundredth anniversary of the theater.
01:09:00.095 --> 01:09:00.716
And that is the
01:09:01.847 --> 01:09:04.789
physical cosmetic portion of
01:09:04.829 --> 01:09:05.871
her she looks great from
01:09:05.911 --> 01:09:07.030
ten feet she photographs
01:09:07.070 --> 01:09:08.431
well but once you get close
01:09:08.452 --> 01:09:09.512
you can see she's a little
01:09:10.472 --> 01:09:18.557
so that that'll be phase
01:09:18.597 --> 01:09:19.497
three and that'll be done
01:09:19.837 --> 01:09:20.819
prior to the one hundred
01:09:21.302 --> 01:09:22.923
anniversary celebration in
01:09:23.043 --> 01:09:23.944
twenty twenty seven.
01:09:24.043 --> 01:09:25.463
So this is once again,
01:09:25.484 --> 01:09:27.164
this is a multiphase
01:09:27.185 --> 01:09:28.185
project that we've planned
01:09:28.265 --> 01:09:30.365
out over several years and
01:09:30.405 --> 01:09:32.167
we've raised the money to do this.
01:09:32.207 --> 01:09:33.667
We're not borrowing any
01:09:33.707 --> 01:09:37.929
money and we it's it's been
01:09:38.088 --> 01:09:39.349
entirely self-funded
01:09:39.868 --> 01:09:42.329
through donations and earmarked money.
01:09:43.751 --> 01:09:46.292
We do Phantom for forty five years.
01:09:46.712 --> 01:09:47.671
Where does all that money go?
01:09:47.771 --> 01:09:49.292
Exactly what we're talking
01:09:49.332 --> 01:09:49.912
about right now.
01:09:51.494 --> 01:09:52.216
One of those things I like
01:09:52.235 --> 01:09:53.315
to brag about the World Series,
01:09:53.336 --> 01:09:53.735
I tell you what,
01:09:53.796 --> 01:09:54.676
after you've experienced it
01:09:54.697 --> 01:09:55.737
the first time and you hear it,
01:09:55.936 --> 01:09:56.717
but one of my favorite
01:09:56.738 --> 01:09:57.318
things is when you're
01:09:57.337 --> 01:09:58.078
getting ready to play it,
01:09:58.097 --> 01:09:59.259
you haven't even played that single note,
01:09:59.298 --> 01:10:00.399
but you hear that rumble.
01:10:00.420 --> 01:10:02.940
Oh, yes.
01:10:03.020 --> 01:10:04.381
It's like that, oh, here it comes,
01:10:04.442 --> 01:10:06.302
here it comes, and then it belts you.
01:10:06.382 --> 01:10:07.563
And that's one of the things
01:10:07.603 --> 01:10:08.323
I wanted to break up while
01:10:08.344 --> 01:10:09.144
I was thinking about it.
01:10:09.203 --> 01:10:10.304
It's just that's one of those things.
01:10:10.364 --> 01:10:10.685
I don't know.
01:10:11.524 --> 01:10:12.284
Even before it plays its
01:10:12.324 --> 01:10:13.706
first note that I know it's coming,
01:10:13.725 --> 01:10:14.627
that's one of my favorite
01:10:14.667 --> 01:10:15.327
things about it.
01:10:15.815 --> 01:10:17.337
Like everything switches on.
01:10:17.676 --> 01:10:17.957
Yeah.
01:10:18.198 --> 01:10:19.399
It's like everything's ready
01:10:19.418 --> 01:10:20.578
and you can hear it.
01:10:20.618 --> 01:10:21.180
Exactly.
01:10:21.380 --> 01:10:22.780
And even if you don't know, you're like,
01:10:22.921 --> 01:10:24.301
oh, God, something's about to happen.
01:10:25.762 --> 01:10:26.604
And then you hear the first
01:10:26.663 --> 01:10:27.644
notes and you're like, oh, my God,
01:10:27.663 --> 01:10:28.385
that's the organ.
01:10:28.404 --> 01:10:28.744
Oh, wow.
01:10:28.824 --> 01:10:29.085
Yeah.
01:10:29.125 --> 01:10:33.448
Well, and the organ, you know,
01:10:33.528 --> 01:10:35.909
it's a living, breathing organ.
01:10:37.838 --> 01:10:40.240
It's a living, breathing character.
01:10:40.261 --> 01:10:41.261
You think you're coming to a
01:10:41.301 --> 01:10:42.082
theater and you're like,
01:10:42.101 --> 01:10:42.882
this is really cool.
01:10:42.903 --> 01:10:43.422
It's ornate.
01:10:43.764 --> 01:10:45.104
And then you realize this is
01:10:45.145 --> 01:10:47.025
just the shell that houses the organ.
01:10:48.006 --> 01:10:50.048
That's basically what this place is.
01:10:52.291 --> 01:10:53.030
You say that,
01:10:53.070 --> 01:10:55.092
and that is exactly what
01:10:55.212 --> 01:10:57.255
saved the Alabama theater
01:10:57.774 --> 01:11:00.417
is in the late eighties and, you know,
01:11:00.497 --> 01:11:00.978
eighties, six,
01:11:02.639 --> 01:11:03.220
The theater,
01:11:04.280 --> 01:11:05.481
the owners of the theater at
01:11:05.502 --> 01:11:07.404
the time had filed for bankruptcy.
01:11:08.326 --> 01:11:09.646
The Oregon Society went to
01:11:10.028 --> 01:11:11.569
the bankruptcy attorney and said, look,
01:11:11.609 --> 01:11:11.869
you know,
01:11:12.966 --> 01:11:13.927
This doesn't look good.
01:11:15.009 --> 01:11:16.489
If bankruptcy proceeds,
01:11:16.609 --> 01:11:18.971
then this theater will be
01:11:19.032 --> 01:11:21.092
torn down because no who in
01:11:21.113 --> 01:11:21.974
their right mind would want
01:11:22.054 --> 01:11:23.015
a nineteen twenty seven
01:11:23.055 --> 01:11:24.695
movie palace and try to operate.
01:11:25.235 --> 01:11:26.117
And so we asked them,
01:11:26.757 --> 01:11:28.319
could could we purchase the
01:11:28.458 --> 01:11:30.701
organ and remove it so we
01:11:30.720 --> 01:11:31.942
could put it in a different venue,
01:11:31.962 --> 01:11:32.801
a suitable venue?
01:11:33.582 --> 01:11:35.003
And the bankruptcy attorney said, no,
01:11:35.885 --> 01:11:36.505
you want the organ.
01:11:36.524 --> 01:11:37.086
You've got to buy the
01:11:37.126 --> 01:11:38.426
building and its contents
01:11:39.426 --> 01:11:42.750
and the the organ without the room.
01:11:45.087 --> 01:11:46.048
and the room without the
01:11:46.109 --> 01:11:48.251
organ yeah yeah no so they
01:11:48.350 --> 01:11:49.872
really are you know
01:11:49.912 --> 01:11:51.512
together they're really one
01:11:52.193 --> 01:11:55.935
being and the it's just a
01:11:55.975 --> 01:11:57.497
natural fit and so it's
01:11:57.516 --> 01:11:58.417
like you said kevin you
01:11:58.438 --> 01:11:59.217
know you come in and you
01:11:59.238 --> 01:12:00.800
see it's gorgeous but then
01:12:00.859 --> 01:12:02.060
it's a whole organic
01:12:02.541 --> 01:12:05.403
experience with the wind
01:12:05.582 --> 01:12:06.703
and the air that it takes
01:12:06.743 --> 01:12:08.244
to power the instrument and
01:12:09.577 --> 01:12:11.158
it's crazy yeah you really
01:12:11.198 --> 01:12:12.319
only have to go and see it
01:12:12.359 --> 01:12:13.460
like one show and then
01:12:13.500 --> 01:12:14.701
you're then you know if
01:12:14.720 --> 01:12:15.621
you're lucky enough to see
01:12:15.680 --> 01:12:16.801
a show like if you don't go
01:12:16.822 --> 01:12:17.842
there for like a concert or
01:12:17.882 --> 01:12:18.922
something and you see a
01:12:18.962 --> 01:12:20.944
show that that is actually
01:12:20.984 --> 01:12:21.845
playing you're like okay
01:12:21.864 --> 01:12:24.266
yeah it's very very obvious
01:12:24.327 --> 01:12:25.188
especially when you you're
01:12:25.207 --> 01:12:26.108
looking around the theater
01:12:26.127 --> 01:12:26.988
and you're like well
01:12:27.009 --> 01:12:28.050
there's a box over there
01:12:28.069 --> 01:12:28.689
that looks like it should
01:12:28.710 --> 01:12:30.070
be like a box like a an
01:12:30.190 --> 01:12:31.032
area where someone just
01:12:31.072 --> 01:12:32.152
said no that's literally
01:12:32.171 --> 01:12:33.273
where the theater has its
01:12:33.372 --> 01:12:35.814
parts the organ has its parts
01:12:36.595 --> 01:12:40.019
So my best one is always, you know,
01:12:40.038 --> 01:12:41.301
we always get that one person that goes,
01:12:41.600 --> 01:12:43.063
oh, when we were here, blah, blah, blah.
01:12:43.082 --> 01:12:44.083
We sat right up there.
01:12:44.123 --> 01:12:44.784
And I'm like, you did?
01:12:44.805 --> 01:12:45.005
Really?
01:12:45.024 --> 01:12:45.685
Oh, interesting.
01:12:45.706 --> 01:12:50.411
Just sharing.
01:12:53.113 --> 01:12:53.994
I wish I could point.
01:12:54.355 --> 01:12:55.676
Okay, so you see the console,
01:12:55.716 --> 01:12:56.958
and if you look to the left
01:12:57.378 --> 01:12:59.041
and go up where that shield
01:12:59.081 --> 01:13:00.023
and the Griffiths are,
01:13:00.342 --> 01:13:02.125
those are the chambers.
01:13:02.484 --> 01:13:02.865
Behind that,
01:13:02.905 --> 01:13:04.908
you see a kind of a graded plaster.
01:13:05.609 --> 01:13:07.390
Behind the shield is the main chamber,
01:13:07.551 --> 01:13:08.431
and behind the curtain,
01:13:08.472 --> 01:13:09.132
behind the Griffith,
01:13:09.193 --> 01:13:10.113
is the string chamber.
01:13:10.914 --> 01:13:13.417
And those rooms are, they're huge rooms,
01:13:13.497 --> 01:13:15.059
but they are filled floor
01:13:15.118 --> 01:13:18.801
to ceiling with pipes, regulators,
01:13:18.881 --> 01:13:20.703
wind regulators, the chest work,
01:13:21.064 --> 01:13:22.305
the actual instruments.
01:13:23.126 --> 01:13:24.146
I wish I could point even
01:13:24.186 --> 01:13:24.886
more because I could show
01:13:24.907 --> 01:13:25.287
you the one hundred
01:13:25.307 --> 01:13:26.127
nineteen twenty seven
01:13:26.167 --> 01:13:27.689
warlets are upright right there.
01:13:28.189 --> 01:13:28.631
Right.
01:13:28.751 --> 01:13:31.493
And just right behind the drapery there.
01:13:31.512 --> 01:13:32.134
Yeah.
01:13:33.595 --> 01:13:35.435
Is this where the organ,
01:13:35.975 --> 01:13:36.997
the seats we don't get
01:13:37.016 --> 01:13:38.417
because the organ enthusiasts,
01:13:39.639 --> 01:13:40.399
they'll sit there?
01:13:40.439 --> 01:13:41.859
Is this balcony here?
01:13:41.939 --> 01:13:45.162
No, no, no, no, no.
01:13:45.181 --> 01:13:46.182
We need a different shot.
01:13:46.682 --> 01:13:48.444
Jess is trying to plan her visit already.
01:13:48.765 --> 01:13:53.108
I'm going to be in the floor
01:13:53.167 --> 01:13:53.787
in the middle.
01:13:55.529 --> 01:13:56.670
You come by one day next
01:13:56.729 --> 01:13:58.011
week and I'll show you where to sit.
01:14:00.372 --> 01:14:01.752
At the bar with me.
01:14:01.832 --> 01:14:02.132
At the bar.
01:14:02.153 --> 01:14:02.393
Right here.
01:14:02.412 --> 01:14:02.552
No,
01:14:02.573 --> 01:14:13.078
so on the opposite side is the same
01:14:14.078 --> 01:14:16.859
visual symmetrical look on the outside.
01:14:16.920 --> 01:14:19.280
The other side is called the solo chamber.
01:14:19.860 --> 01:14:21.742
And instead of two chambers
01:14:21.761 --> 01:14:22.761
like you have here,
01:14:23.662 --> 01:14:26.543
it's one big chamber that's one big room.
01:14:29.012 --> 01:14:29.712
Yeah.
01:14:29.813 --> 01:14:31.734
Can you see that?
01:14:32.234 --> 01:14:33.453
Yeah.
01:14:33.774 --> 01:14:35.675
Trying to see if I can.
01:14:35.694 --> 01:14:35.814
Yeah.
01:14:35.835 --> 01:14:36.375
Say, oh, no, it won't go any.
01:14:36.395 --> 01:14:36.935
Can you just scroll?
01:14:36.954 --> 01:14:37.055
No, no.
01:14:37.074 --> 01:14:39.256
I don't know if you're.
01:14:39.315 --> 01:14:39.756
That's OK.
01:14:39.996 --> 01:14:40.336
It's OK.
01:14:40.896 --> 01:14:42.476
If you're there and you find me,
01:14:42.497 --> 01:14:43.957
I'll point for you and show you.
01:14:44.778 --> 01:14:47.338
Gotcha.
01:14:47.439 --> 01:14:47.798
The that's.
01:14:50.239 --> 01:14:52.039
It was in those those chambers.
01:14:53.541 --> 01:14:54.980
There are no parallel walls
01:14:55.060 --> 01:14:55.560
within the room.
01:14:55.581 --> 01:14:56.701
There's several different
01:14:56.740 --> 01:14:58.322
sides to the rooms, you know,
01:14:59.666 --> 01:15:01.868
multi-sided, no parallel walls.
01:15:02.208 --> 01:15:03.990
So that way the sound waves
01:15:04.030 --> 01:15:06.354
inside can't get trapped inside the room.
01:15:06.394 --> 01:15:08.496
The chambers are designed to
01:15:08.695 --> 01:15:11.298
push the sound of the pipes
01:15:11.338 --> 01:15:12.319
and the instruments out
01:15:12.439 --> 01:15:13.822
into the auditorium.
01:15:14.162 --> 01:15:15.743
And then the swell shutters,
01:15:15.863 --> 01:15:17.945
the shades are designed to
01:15:18.065 --> 01:15:20.108
open up and fire into the room.
01:15:20.149 --> 01:15:20.349
So
01:15:21.600 --> 01:15:22.662
The organ was designed and
01:15:22.782 --> 01:15:23.921
built for it to be able to
01:15:24.042 --> 01:15:25.682
speak into that auditory
01:15:25.823 --> 01:15:28.384
very cleanly and clearly.
01:15:28.484 --> 01:15:31.244
She does a fantastic job, that's for sure.
01:15:31.864 --> 01:15:32.524
Absolutely.
01:15:33.185 --> 01:15:34.265
That's why taking the organ
01:15:34.326 --> 01:15:35.845
out of the theater would mean nothing.
01:15:35.886 --> 01:15:37.346
No.
01:15:37.527 --> 01:15:40.228
You can take it out and we
01:15:40.247 --> 01:15:41.528
could put it somewhere else,
01:15:41.568 --> 01:15:43.229
but it will never sound the same.
01:15:43.788 --> 01:15:44.989
The room is always the
01:15:45.029 --> 01:15:46.829
biggest component of any organ,
01:15:46.949 --> 01:15:48.430
hyper-electronic either way.
01:15:49.671 --> 01:15:51.132
that's the single most
01:15:51.172 --> 01:15:52.412
important element is the
01:15:52.472 --> 01:15:54.215
room and the acoustics of the room.
01:15:54.335 --> 01:15:55.114
And boy, does she sing.
01:15:55.135 --> 01:15:55.615
She does sing.
01:15:55.636 --> 01:15:59.238
She does indeed.
01:15:59.297 --> 01:16:01.038
Absolutely.
01:16:01.059 --> 01:16:03.100
Well, we know we got Phantom on October,
01:16:03.140 --> 01:16:05.761
the two o'clock in the afternoon.
01:16:06.382 --> 01:16:07.363
What are some other things
01:16:07.644 --> 01:16:09.364
happening in October that we can expect?
01:16:10.045 --> 01:16:10.244
Well,
01:16:10.364 --> 01:16:12.646
other than Hocus Pocus on the twenty
01:16:12.827 --> 01:16:13.127
fifth.
01:16:13.146 --> 01:16:13.507
Yeah, that's a.
01:16:21.100 --> 01:16:22.002
Look here and see.
01:16:22.021 --> 01:16:22.202
Who knows?
01:16:22.221 --> 01:16:22.362
I mean,
01:16:22.381 --> 01:16:24.345
I'm in that mode right now where
01:16:24.925 --> 01:16:25.706
tomorrow is Monday.
01:16:25.725 --> 01:16:32.414
I just got to get through Monday.
01:16:35.278 --> 01:16:36.279
That's the only one showing
01:16:36.380 --> 01:16:37.081
on the website.
01:16:37.121 --> 01:16:37.301
Yeah.
01:16:37.934 --> 01:16:38.134
Well,
01:16:38.175 --> 01:16:39.996
T-Bone Burnett's coming to the Lyric.
01:16:41.597 --> 01:16:42.918
Gillian Welch and David
01:16:42.958 --> 01:16:45.220
Rawlings are coming to the Lyric.
01:16:45.841 --> 01:16:47.283
There is the Witch Perfect
01:16:47.363 --> 01:16:48.664
Tour for twenty twenty four,
01:16:48.704 --> 01:16:50.606
which is drag oriented.
01:16:51.106 --> 01:16:53.689
That's going to be fun on the eighteenth.
01:16:54.510 --> 01:16:56.431
Hocus Pocus on the twenty fifth.
01:16:56.532 --> 01:16:57.814
Phantom on the twenty seventh.
01:16:58.641 --> 01:17:01.724
And then there's an ABBA tribute band.
01:17:02.703 --> 01:17:03.384
What?
01:17:03.463 --> 01:17:04.364
On Halloween night.
01:17:04.444 --> 01:17:05.625
Yeah.
01:17:05.905 --> 01:17:07.025
That's also with the lyric.
01:17:07.265 --> 01:17:09.886
Oh, ABBA tribute band.
01:17:09.907 --> 01:17:11.188
This group, this is like their,
01:17:12.248 --> 01:17:13.628
I know it's at least third time,
01:17:13.649 --> 01:17:15.229
if not fourth time that they've come.
01:17:15.750 --> 01:17:18.612
And they do such an amazing show.
01:17:18.652 --> 01:17:19.493
It's unbelievable.
01:17:19.533 --> 01:17:20.193
So if you want to come to
01:17:20.233 --> 01:17:21.373
the Lyric for the first time,
01:17:21.734 --> 01:17:22.895
there's your show right there.
01:17:23.095 --> 01:17:23.815
Oh, wow.
01:17:23.895 --> 01:17:26.877
And then November first is Nate Jackson.
01:17:27.679 --> 01:17:28.880
November six is Morrissey.
01:17:28.899 --> 01:17:29.000
Yeah.
01:17:29.020 --> 01:17:31.662
Gotcha.
01:17:31.681 --> 01:17:32.521
So what you said that they
01:17:32.542 --> 01:17:34.342
were doing that Halloween night?
01:17:35.783 --> 01:17:37.005
At the Lyric?
01:17:37.085 --> 01:17:39.146
Yeah, the ABBA tribute is Halloween night.
01:17:39.287 --> 01:17:40.728
Okay, you know what?
01:17:41.167 --> 01:17:42.448
You can either go see ABBA
01:17:42.569 --> 01:17:43.609
or you can come to my house
01:17:43.630 --> 01:17:44.810
and get full-size candy bars.
01:17:46.109 --> 01:17:50.951
You know, I might do both.
01:17:51.030 --> 01:17:52.631
I don't have a bar, though.
01:17:52.671 --> 01:17:55.492
Well, it's okay.
01:17:55.572 --> 01:17:56.573
I'll bring my own.
01:17:56.592 --> 01:17:57.092
Candy bar.
01:17:57.153 --> 01:17:59.134
Yes, there we go.
01:17:59.154 --> 01:18:00.493
Candy bar, yeah, candy bar.
01:18:00.514 --> 01:18:01.274
Affordable bar.
01:18:02.194 --> 01:18:04.115
As Brock would say, I've got the beatus.
01:18:04.536 --> 01:18:05.235
That's all I've got.
01:18:05.256 --> 01:18:08.917
I've got it, yeah.
01:18:08.936 --> 01:18:10.358
But I love Halloween, of course.
01:18:10.417 --> 01:18:10.597
You know,
01:18:10.637 --> 01:18:12.439
I get to wear my sexy kitty outfit.
01:18:12.578 --> 01:18:12.819
Yeah.
01:18:16.161 --> 01:18:16.801
In public.
01:18:16.981 --> 01:18:21.426
I was expecting a glitzy devil, but okay.
01:18:23.948 --> 01:18:24.829
No glitzy devil.
01:18:24.850 --> 01:18:30.756
I saved that for Christmas.
01:18:30.777 --> 01:18:31.637
Man the images.
01:18:31.797 --> 01:18:32.618
All right.
01:18:35.563 --> 01:18:39.007
And this is why we love Gary.
01:18:39.408 --> 01:18:39.909
That's right.
01:18:40.390 --> 01:18:41.511
We turned him loose with a
01:18:41.551 --> 01:18:43.956
live mic this time.
01:18:43.975 --> 01:18:44.577
And it was beautiful.
01:18:44.617 --> 01:18:45.677
And it was gorgeous.
01:18:47.079 --> 01:18:48.042
And a brick wall.
01:18:48.282 --> 01:18:48.863
And a brick wall.
01:18:50.876 --> 01:18:52.216
We were joking in our member
01:18:52.456 --> 01:18:54.216
exclusive stream that Gary,
01:18:54.436 --> 01:18:56.476
when we want him to come onto the stream,
01:18:56.697 --> 01:18:58.177
he just materializes out of
01:18:58.217 --> 01:18:58.877
that brick wall.
01:19:00.118 --> 01:19:00.917
And then he just puts some
01:19:00.957 --> 01:19:03.019
earbuds in and he just starts talking.
01:19:03.099 --> 01:19:05.279
There you go.
01:19:05.538 --> 01:19:10.479
That's all you need.
01:19:10.619 --> 01:19:11.579
This is my life every day.
01:19:11.600 --> 01:19:11.739
Awesome.
01:19:11.760 --> 01:19:13.001
Gary, I hope we can have you back on.
01:19:13.020 --> 01:19:13.801
We'd love to have you back
01:19:13.881 --> 01:19:14.520
on and talk about the
01:19:15.081 --> 01:19:16.440
holiday film series.
01:19:17.061 --> 01:19:18.301
We'd love that if you're free.
01:19:18.322 --> 01:19:18.442
Yeah.
01:19:20.690 --> 01:19:25.921
I'm free I'm free maybe not free
01:19:30.725 --> 01:19:31.606
Well, what do you want me to say?
01:19:32.046 --> 01:19:33.788
I'm available.
01:19:37.171 --> 01:19:37.591
You guys,
01:19:37.792 --> 01:19:39.453
I am always so thrilled and
01:19:39.514 --> 01:19:41.576
excited and honored to be a
01:19:41.595 --> 01:19:43.557
part of your podcast and
01:19:43.797 --> 01:19:44.498
your live stream.
01:19:45.319 --> 01:19:45.640
I just,
01:19:45.840 --> 01:19:47.600
I can't tell you how much it means
01:19:47.640 --> 01:19:48.561
to me to be able to come
01:19:48.582 --> 01:19:50.743
and talk to you and talk to
01:19:50.783 --> 01:19:52.305
folks who really get it.
01:19:52.326 --> 01:19:53.265
Uh, and,
01:19:53.386 --> 01:19:54.828
and we can have these discussions
01:19:54.908 --> 01:19:56.890
of is this, this, and is this that, and,
01:19:57.029 --> 01:19:57.170
uh,
01:19:58.206 --> 01:19:59.266
I just,
01:19:59.287 --> 01:20:00.987
I appreciate you guys more than anything.
01:20:01.627 --> 01:20:03.127
Hey, we love you, man.
01:20:03.509 --> 01:20:04.868
It's a, and Mitchell says,
01:20:04.908 --> 01:20:05.869
Gary's cool people.
01:20:05.909 --> 01:20:06.869
Thank you for coming on.
01:20:07.670 --> 01:20:08.810
I'll send you a check Mitchell.
01:20:13.972 --> 01:20:16.234
And I can say Mitchell is just as,
01:20:16.395 --> 01:20:18.135
is a cool, cool people too.
01:20:18.154 --> 01:20:19.176
Awesome.
01:20:19.235 --> 01:20:19.576
Yes.
01:20:20.115 --> 01:20:21.277
I have to get them over here
01:20:21.296 --> 01:20:23.238
for one of these films for sure.
01:20:24.439 --> 01:20:26.420
I think Mitchell's been to the Alabama.
01:20:26.479 --> 01:20:28.681
I think he came for the Ghostbusters.
01:20:28.721 --> 01:20:29.922
Yeah.
01:20:30.382 --> 01:20:32.965
Now you just need to come
01:20:32.984 --> 01:20:33.546
for Die Hard now.
01:20:33.565 --> 01:20:34.426
That's the best thing.
01:20:36.929 --> 01:20:39.050
That's the one, yes.
01:20:39.069 --> 01:20:39.511
That would be.
01:20:40.331 --> 01:20:42.073
There's another one I can guarantee you.
01:20:42.552 --> 01:20:43.753
If you don't have a good time,
01:20:44.835 --> 01:20:45.735
there's no helping you.
01:20:45.756 --> 01:20:50.158
I don't think it's possible.
01:20:50.198 --> 01:20:50.498
I know.
01:20:52.666 --> 01:20:54.067
We will put a link to the
01:20:54.127 --> 01:20:55.228
Alabama Theater and where
01:20:55.247 --> 01:20:56.189
you can get the tickets for
01:20:56.229 --> 01:20:58.911
Phantom of the Opera and their website.
01:20:58.930 --> 01:20:59.831
We can get all kinds of
01:20:59.890 --> 01:21:00.851
information of everything
01:21:00.872 --> 01:21:03.493
that's coming up.
01:21:03.573 --> 01:21:04.555
Mitchell even says, oh,
01:21:04.635 --> 01:21:05.895
I'm thinking about Die Hard.
01:21:06.435 --> 01:21:07.356
You will not regret it.
01:21:07.377 --> 01:21:09.238
Mitchell, come watch Die Hard with us.
01:21:09.278 --> 01:21:11.159
You will not regret it at all.
01:21:11.500 --> 01:21:13.041
And judging by last year,
01:21:13.140 --> 01:21:14.202
buy your ticket as soon as
01:21:14.221 --> 01:21:14.902
they go on sale.
01:21:14.921 --> 01:21:14.981
Yes.
01:21:15.002 --> 01:21:16.724
Yes.
01:21:17.184 --> 01:21:17.663
Oh, my gosh.
01:21:17.684 --> 01:21:19.286
And get there early that night.
01:21:19.345 --> 01:21:19.786
Yeah.
01:21:21.658 --> 01:21:22.738
And be aware that there are
01:21:22.859 --> 01:21:26.421
multiple concession areas in the theater,
01:21:26.921 --> 01:21:27.742
and they have some of the
01:21:27.801 --> 01:21:29.143
best drinks when you're there.
01:21:29.302 --> 01:21:30.023
It is so nice.
01:21:30.042 --> 01:21:31.003
Thank you.
01:21:31.243 --> 01:21:34.465
So for Die Hard,
01:21:34.886 --> 01:21:37.587
we will open every level of bar.
01:21:37.686 --> 01:21:39.427
It will be main, mezzanine, balcony,
01:21:39.608 --> 01:21:42.350
and the loft all the way up, every bar.
01:21:42.409 --> 01:21:42.649
Yep.
01:21:43.270 --> 01:21:43.750
It takes it.
01:21:44.131 --> 01:21:44.610
It does.
01:21:46.032 --> 01:21:46.452
Very nice.
01:21:46.471 --> 01:21:46.671
Thank you.
01:21:46.833 --> 01:21:49.036
Because he knows that's
01:21:49.076 --> 01:21:49.775
where the money is.
01:21:51.037 --> 01:21:53.118
Now it's attendance and you
01:21:53.139 --> 01:21:54.300
get all those two thousand
01:21:54.340 --> 01:21:56.081
people there times what
01:21:56.100 --> 01:21:57.703
they drink and you're good to go.
01:21:59.743 --> 01:22:01.125
It's what keeps the lights on.
01:22:01.145 --> 01:22:01.966
There you go.
01:22:02.025 --> 01:22:03.127
It's just true.
01:22:04.740 --> 01:22:05.261
Well, awesome.
01:22:05.301 --> 01:22:05.702
Like I said,
01:22:05.921 --> 01:22:07.222
we'll put a link to the
01:22:07.262 --> 01:22:08.123
Alabama Theater in the
01:22:08.144 --> 01:22:09.845
description and in the
01:22:09.925 --> 01:22:11.086
audio feed when this comes
01:22:11.166 --> 01:22:12.027
out on Wednesday.
01:22:13.828 --> 01:22:15.288
And we'll also, you know,
01:22:15.349 --> 01:22:16.850
help plug what's going on.
01:22:16.951 --> 01:22:17.951
All you got to do is follow
01:22:17.990 --> 01:22:19.372
us on social media
01:22:19.733 --> 01:22:21.434
everywhere at Bama Geeks.
01:22:22.034 --> 01:22:23.255
That's where you can find us.
01:22:23.515 --> 01:22:25.056
And if you want to join us
01:22:25.636 --> 01:22:27.158
in our private Facebook group,
01:22:27.979 --> 01:22:29.201
The Bama Geeks front porch.
01:22:29.240 --> 01:22:30.643
Just search for that on Facebook.
01:22:30.662 --> 01:22:31.543
We're easy to find.
01:22:32.283 --> 01:22:34.667
And if you'd like to toss, you know,
01:22:34.787 --> 01:22:37.350
five bucks a month to us to
01:22:37.411 --> 01:22:39.113
get some bonus audio,
01:22:39.693 --> 01:22:41.775
patreon.com slash Bama Geeks.
01:22:41.796 --> 01:22:43.118
You can also click the join
01:22:43.158 --> 01:22:45.860
button on the YouTube channel.
01:22:46.649 --> 01:22:47.990
And, you know,
01:22:48.471 --> 01:22:49.453
we'll try to entertain you
01:22:49.472 --> 01:22:50.293
as much as we can.
01:22:50.814 --> 01:22:51.734
And we certainly appreciate
01:22:51.774 --> 01:22:52.756
our Patreon members.
01:22:54.077 --> 01:22:54.698
We're still going to do a
01:22:54.738 --> 01:22:56.078
live stream at some point
01:22:56.099 --> 01:22:57.260
with our Patreon members
01:22:57.881 --> 01:22:59.381
where Jess will lovingly
01:22:59.421 --> 01:23:01.623
make bracelets to say Bama Geeks.
01:23:01.663 --> 01:23:03.085
You can pick your own colors
01:23:03.104 --> 01:23:04.046
and stuff while she makes them.
01:23:05.106 --> 01:23:07.628
We'll plan on that at some point.
01:23:08.149 --> 01:23:10.212
I knew you were going to say that.
01:23:11.493 --> 01:23:12.654
My wrists are bare.
01:23:12.673 --> 01:23:14.475
I will get you some bracelets.
01:23:14.935 --> 01:23:16.957
I have become the bracelet making queen.
01:23:17.018 --> 01:23:18.458
Over here on the table,
01:23:18.479 --> 01:23:20.300
there's like four stacks of bead kits.
01:23:20.460 --> 01:23:23.984
Oh my goodness.
01:23:24.104 --> 01:23:25.324
I'm going to get you some bracelets.
01:23:25.965 --> 01:23:26.626
Absolutely.
01:23:27.949 --> 01:23:29.711
So, uh, but Gary,
01:23:29.751 --> 01:23:30.811
thank you so much again for,
01:23:30.952 --> 01:23:32.833
for joining us and being
01:23:32.873 --> 01:23:34.614
here and we'll have you back on.
01:23:34.694 --> 01:23:37.697
And we hope, uh, you watching, uh,
01:23:37.716 --> 01:23:38.377
have enjoyed it.
01:23:38.398 --> 01:23:39.559
And we appreciate all the, uh,
01:23:39.578 --> 01:23:40.899
the conversations in the chat.
01:23:40.920 --> 01:23:40.979
Yes.
01:23:42.201 --> 01:23:43.502
And we will,
01:23:44.481 --> 01:23:46.264
we may or may not be here
01:23:46.304 --> 01:23:47.083
again in two weeks.
01:23:47.163 --> 01:23:48.265
We have to discuss this
01:23:48.324 --> 01:23:51.127
because that's a really busy weekend that,
01:23:52.007 --> 01:23:53.488
um, a lot of us are going to be.
01:23:55.555 --> 01:23:56.194
preoccupied.
01:23:56.715 --> 01:23:57.475
That's a busy weekend.
01:23:57.555 --> 01:23:58.576
We'll come up with something.
01:23:58.976 --> 01:24:01.177
We'll talk about it.
01:24:03.559 --> 01:24:04.920
Again, thanks so much, Gary.
01:24:04.939 --> 01:24:05.720
Thank you so much to
01:24:05.760 --> 01:24:06.640
everybody for watching.
01:24:06.680 --> 01:24:07.541
We appreciate you.
01:24:08.181 --> 01:24:10.863
We love all of you.
01:24:10.903 --> 01:24:13.024
For Beau and Kevin and Jess and Gary,
01:24:13.125 --> 01:24:13.664
I'm Brock.
01:24:14.265 --> 01:24:15.805
We're the Bama Geeks.
01:24:15.945 --> 01:24:16.947
We'll see you next time.
01:24:16.966 --> 01:24:18.728
Bye.

Gary W. Jones
Gary W. Jones is the house organist for the "Mighty Wurlitzer" theater organ at the historic Alabama Theatre in Birmingham. He is also the concessions manager for Birmingham Landmarks and president of the Alabama Chapter of the American Theatre Organ Society. He's a fine historian and storyteller, too!